Vol 7. No 3 â May-June 2025
Reflection of Culture and Beauty in Bhupen Hazarikaâs Musical Legacy -Dr. Shrabanika ChangmaiÂ
From Code to Care: The Human-Centric Rise of Artificial Intelligence -Sourav Mukul Tewari.
The Sound of Nature: Music, Environment, and Our Ecological Bond â Brintali Acharya
The Gharanas of Kathak and its Historical Development â Joysree Biswas
Vol 7. No 2 – March-April 2025
āĻŦāĻžāĻā§āĻāĻžāϞāĻžāϰ āĻāϤāĻŋāĻšāĻžāϏ -āĻāĻļā§āĻŦāϰāĻāύā§āĻĻā§āϰ āĻŦāĻŋāĻĻā§āϝāĻžāϏāĻžāĻāϰ
āĻļāĻŋāϞā§āĻĒā§ āĻ āύāϧāĻŋāĻāĻžāϰ-āĻ āĻŦāύā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāĻā§āϰ
āĻāĻžāϤāĻŋ āĻā§āĻĻ -āĻļāĻŋāĻŦāύāĻžāĻĨ āĻļāĻžāϏā§āϤā§āϰā§
āĻŦāĻŋāϞāĻžāϏā§āϰ āĻĢāĻžāĻāϏ-āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāĻā§āϰ
āĻā§āĻāĻĒāϤāĻā§āĻā§āϰ āύā§āϤā§āϝ āĻ āϝāύā§āϤā§āϰāϏāĻāĻā§āϤ: āĻāĻāĻāĻŋ āϏāĻā§āĻā§āϤāϤāĻžāϤā§āĻŦāĻŋāĻ āĻŦāĻŋāĻļā§āϞā§āώāĻŖ-āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āĻĒā§āϰāĻžāύā§āϤāĻāύā§āϰ āύāĻŦāĻāĻžāĻāϰāĻŖ āĻ āĻŽāϤā§ā§āĻž āϏāĻŽāĻžāĻā§āϰ āĻāϤā§āϤā§āϰāĻŖ ( ā§§ā§Žā§Žā§Ļ-⧧⧝⧝ā§Ļ ) â āĻā§āĻāύ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ
Vol 7. No 1 – January-February 2025
Poush Mela-Nandita Basu Sarjajari Assistant Professor, Department of Rabindra Sangeet, Dance and Drama, Sangeet Bhavan, Visva-Bharati, SantiniketanÂ
Rabindranath Tagore and Vaishnava Literature. Srabani Sen, Associate Professor, Department of Music, Tarakeswar Degree College
A Drama Exploring the Delicate Balance Between Desires and Necessities -Dr. Krisnapada DasÂ
Vol 6. No 6 – November-December 2024
Vol 6. No 5 – September–October 2024
Rabindranath Tagore and his Franco-Indian relationship -Jayita Basak, SACT, Â Chandernagore College
Chandernagore and France: Franco-Indian cultural heritage and mutual traditions–Â Ms. Jayati Dasgupta, Research Scholar, Visva Bharati University, Santiniketan
A Bourbon in Akbarâs Court: Strategies of Integration and the Influence of Mughal Syncretism-A Bourbon in Akbarâs Court: Strategies of Integration and the Influence of Mughal Syncretism
The Role of Performing Arts Therapy for Caring Mental Health Farjana Yasmin, Ph.D Research Scholar, Department of Performing Arts (Dance), Sister Nivedita University, Kolkata
The uniqueness of Dwijendralalâs song Dr. Srabani Sen, Associate Professor, Department of Music, Tarakeswar Degree College
Vol 6. No 4 – July-August 2024
Technological Modernity of Music in the Present Era–Dr Pratiti Pramanik De
History and Journey of Annan Theatre Group (1971-2020)-Dr. Ankush Das
In Search of the Roots of Bhawaiya Song-Dr. Srabani Sen
Efforts to Progression in Tagore Song-Priyanka Bhattacharjee
Shapmochan: The Main Plot of the Cursed Story in the Application of Rabindraâs Drama-Dr. Amartya Mukhopadhyay
Beneficial Impact of School Music Education in Childhood: A Comprehensive Review-Moumita Majumder
Vol 6. No 3 – May-June 2024
Vol 6. No 2 – March-April 2024
Vol 6. No 1 – January-February 2024
Preventive Use of Instrumental Music for Wellness-Sayanta Ganguly
Charulata: from the Language of Literature to the Language of Film-Dr. Pratiti Pramanik De
Application of Folk Music as portrayed in Satyajit Rayâs Apu Trilogy and Sonar Kella-Dr. Sukanya Sarkar
BIHUâ: AN UNTOLD STORY-Dr. Lopamudra Chakraborty Chatterjee
Womenâs Brata: Rituals in Bengali Folk Culture-Dr.Srabani Sen
Music & Cinema: A Tool of Communication-Sayantika Ghosh
Parisodhâ and Dance Drama âShyamaâ: The Poetâs Intentions in the Duel of Transformation-Priyanka Bhattacharya
Vol 5. No 6 – November-December 2023
Influence of Folk Songs in the Drama of Rabindranath-Dr. Amartya Mukhopadhyay
Echoes of Tradition: Exploring Folk Language and Culture-Dr. Srabani Sen
Social Enlightenment, Preservation of Cultural Values Through Gat-Bhav-Vrushali Dabke-Research scholar, Sri Sri University, Cuttack
Enhancing Cultural Resonance: A Comprehensive Abstract on Music Education in Chittagong-Swarnamay Chakraborty
Vol 5. No 5 – September-October 2023
Music Healed Riot Torn Assam in 1960 -Rimi Biswas Ph.D. Research Scholar, Calcutta University
National Educational Policy : Itâs Strength and Weaknesses -Sandip Das, Assistant Professor, Department
of Commerce Gobordanga Hindu College
āύāĻžāĻāύāĻŋ : āĻāĻŋāύā§āύ āĻā§āĻŦāύ āĻāĻŋāύā§āύ āĻŽāύ â āϏā§āĻŦā§āϰāϤ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧā§āϰ âāϰāϏāĻŋāĻâ āĻāĻĒāύā§āϝāĻžāϏ āĻ āĻŦāϞāĻŽā§āĻŦāύ⧠āĻāĻāĻāĻŋ āĻāϞā§āĻāύāĻž -āϧā§āϤāĻŋ āϏāĻŋāύāĻšāĻž Assistant ProfessorBarasat Subhas Chandra College of Education
āϞā§āĻāĻžāϝāĻŧāϤ āĻĻāϰā§āĻļāύ āĻ āĻĻā§āĻšāϤāϤā§āϤā§āĻŦā§āϰ āĻāĻžāύ – āĻĄ. āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ āĻā§āϝāϏā§āϏāĻŋāϝāĻŧā§āĻ āĻĒā§āϰāĻĢā§āϏāϰ, āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ,āĻšā§āĻāϞā§Â
āĻāĻŽāĻžāϰ āĻā§āĻŦāύ : āĻāύā§āĻŽāĻļāϤāĻŦāϰā§āώ⧠āĻŽā§āĻŖāĻžāϞ āϏā§āύā§āϰ āĻĒā§āϰāϤāĻŋ āĻļā§āϰāĻĻā§āϧāĻžāϰā§āĻ – āĻĄ: āĻĒā§āϰāϤā§āϤāĻŋ āĻĒā§āϰāĻžāĻŽāĻžāĻŖāĻŋāĻ āĻĻā§ āĻā§āĻŦāϰāĻĄāĻžāĻāĻž āĻšāĻŋāύā§āĻĻā§ āĻāϞā§āĻ āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ
TRADITIONAL GAMES OF WEST BENGAL -ANIK DASÂ Â SACT, DEPARTMENT OF JOURNALISM & MASS COMMUNICATIONÂ GOBARDANGA HINDU COLLEGEÂ
Â ā¤°ā¤žā¤Ž ⤏ā¤ā¤āĨ⤤ ā¤ŽāĨ⤠ā¤Ļā¤žā¤°āĨā¤ļ⤍ā¤ŋ⤠⤠⤍āĨā¤ā¤°ā¤Ŗ ⤏ā¤ŋā¤ĻāĨā¤§ā¤žā¤¨āĨ⤤ ā¤āĨ ā¤ĒāĨ⤰ā¤ā¤žā¤ĩ – ā¤ā¤žā¤¯ā¤žā¤°ā¤žā¤¨āĨ ā¤Žā¤ā¤Ąā¤˛, ā¤ā¤¸ā¤ŋ⤏ā¤āĨ⤍āĨ⤠ā¤ĒāĨ⤰āĨā¤ĢāĨ⤏⤰, ⤏ā¤ā¤āĨ⤤ ā¤ā¤ĩ⤍, ā¤ĩā¤ŋā¤ļāĨā¤ĩā¤ā¤žā¤°ā¤¤āĨ, ā¤ļā¤žā¤¨āĨ⤤ā¤ŋ⤍ā¤ŋā¤āĨ⤤⤍, ā¤Ē. ā¤Ŧā¤ā¤ā¤žā¤˛
Vol 5. No 4 – July-August 2023
Music : Creativity and Compilation -DR.Sumona Banerjee, Guest Faculty, Department of Music, Sikkim University, Sikkim
āĻĒā§āϰāĻžāĻā§â āĻāύāĻŋāĻļ āĻļāϤāĻā§ āĻāĻāϰā§āĻāĻĻā§āϰ āĻŦāĻžāĻāϞāĻž āĻāĻžāώāĻž āĻ āĻāϤāĻŋāĻšāĻžāϏ āĻāϰā§āĻāĻžāϝāĻŧ āĻļāĻžāϏāĻā§āϰ āĻā§āώāĻŽāϤāĻžāϝāĻŧāύ – āĻļāϤāĻžāĻŦā§āĻĻā§ āϏāĻžāϧ⧠āĻŽāĻŖā§āĻĄāĻ˛Â āĻ āϧā§āϝāĻžāĻĒāĻ (SACT-1) āĻŦāĻžāϰāĻžāϏāĻžāϤ āϏāϰāĻāĻžāϰ⧠āĻŽāĻšāĻžāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ, āĻŦāĻžāϰāĻžāϏāĻžāϤ
āύāĻžāĻā§āϝāϏāĻā§āĻā§āϤ āϏā§āĻāύ : āĻŦāĻžāĻāϞāĻžāύāĻžāĻā§āϝ⧠āύāĻāϰā§āϞā§āϰ āĻ āĻŦāĻĻāĻžāύ -āĻĄ.āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ āĻā§āϝāϏā§āϏāĻŋāϝāĻŧā§āĻ āĻĒā§āϰāĻĢā§āϏāϰ, āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ
Shakuntala As Perceived in Mythology and in Drama – Swanupama Sen Gupta Research Scholar, M. Phil Rabindra Bharati University
āĻŽāύāĻŋāĻĒā§āϰ⧠āύā§āϤā§āϝ⧠āĻā§āĻĄāĻŧā§āϝāĻŧ āĻŦā§āώā§āĻŖāĻŦ āϧāϰā§āĻŽ āĻ āϤāĻžāϰ āĻĒā§āϰāĻāĻžāĻŦ – āĻ āϧā§āϝāĻžāĻĒāĻ āĻĄ: āϏā§āĻŽāĻŋāϤ āĻŦāϏā§āĨ¤ āϏāĻā§āĻā§āϤ āĻāĻŦāύ,āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύāĨ¤ āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāĻ¤ā§ Â āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύā§āĻ°Â āύā§āϤā§āϝāϧāĻžāϰāĻžāϝāĻŧ āĻāĻžāĻāĻž-āĻŦāĻžāϞāĻŋāĻĻā§āĻŦā§āĻĒā§āĻ°Â āĻļāĻŋāϞā§āĻĒāĻāϞāĻžāĻ°Â āĻĒā§āϰāĻāĻžāĻŦ – āϏā§āĻŽāĻāϤāĻžÂ āĻāĻā§āϰāĻŦāϰā§āϤā§āϤā§Â
Rabindra Nritya: Application & Modernity of Instruments – Dr. Sugata Das, Assistant Professor, Sister Nivedita UniversityÂ
āĻāĻāĻāĻžāĻāĻžāϰ āĻļāĻŋāĻļā§ āĻļā§āϰāĻŽāĻŋāĻāĻĻā§āϰ āĻŦāĻŋāĻĒāύā§āύ āĻāĻŦāĻŋāώā§āϝ⧖ āϤā§āώāĻžāϰ āĻāĻžāύā§āϤāĻŋ āĻĒāĻžāĻĄāĻŧā§, āĻāĻžāϞāύāĻž āĻāϞā§āĻ, āĻāĻžāϞāύāĻž, āĻĒā§āϰā§āĻŦ āĻŦāϰā§āϧāĻŽāĻžāύ
Vol 5. No 3 – May-June 2023
āĻŦā§āĻāĻŽ āĻāĻāϤāĻžāϰāĻāĻŋāϰ āĻāĻžāϞāĻāϝāĻŧā§ āĻŦāĻžāĻāϞāĻž āϰāĻžāĻāĻĒā§āϰāϧāĻžāύ āĻāĻžāύ: āĻāĻāĻāĻŋ āĻŦāĻŋāĻļā§āϞā§āώāĻŖāĻžāϤā§āĻŽāĻ āϏāĻŽā§āĻā§āώāĻž-āĻĒā§āϰāϤā§āϝā§āώāĻž āϰāĻžāϝāĻŧ, āĻšāĻŋāύā§āĻĻā§āϏā§āĻĨāĻžāύ⧠āĻļāĻžāϏā§āϤā§āϰā§āϝāĻŧ āϏāĻā§āĻā§āϤ, āϏāĻā§āĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§
āϏāĻāĻā§āϤā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻāĻžāϤā§āϝāĻŧ āϏāĻāĻšāϤāĻŋ āϏā§āĻĨāĻžāĻĒāύ⧠āĻāĻŖāĻŽāĻžāϧā§āϝāĻŽā§āϰ āĻā§āĻŽāĻŋāĻāĻž-āĻĄāĻ āύāύā§āĻĻāĻŋāϤāĻž āĻŦāϏ⧠āϏāϰā§āĻŦāĻžāϧāĻŋāĻāĻžāϰ⧠āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻāĻā§āϤ, āύā§āϤā§āϝ āĻ āύāĻžāĻāĻ āĻŦāĻŋāĻāĻžāĻ āϏāĻāĻā§āϤāĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§, āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύ
āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāύā§āϰ āĻ āĻā§āĻāύ⧠āĻĒā§āϰāĻā§āϤāĻŋāϰ āĻ āĻŦāϝāĻŧāĻŦ-āĻļā§āĻā§āϰāĻĒāϰā§āĻŖāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏ
āĻšāĻŋāύā§āĻĻāĻŋ āĻāϞāĻā§āĻāĻŋāϤā§āϰā§āϰ āĻāĻžāύ⧠āϰāĻŦā§āύā§āĻĻā§āϰ āϏā§āϰā§āϰ āĻĒā§āϰāĻāĻžāĻŦ āĻāĻŦāĻ āϝāύā§āϤā§āϰāĻžāύā§āϏāĻā§āĻā§āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ-āĻĄāĻ āĻĻā§āϰā§āĻŦāĻž āϏāĻŋāĻāĻš āϰāĻžāϝāĻŧāĻā§āϧā§āϰā§, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻāϞāĻā§āĻāĻŋāϤā§āϰā§āϰ āĻāϧā§āύāĻŋāĻāϤāĻžāϝāĻŧ āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻā§āĻā§āϤā§āϰ āĻĒā§āϰāϝāĻŧā§āĻā§ āύāϤā§āύ āĻĒāϰā§āĻā§āώāĻžāύāĻŋāϰā§āĻā§āώāĻž (āĻāϤā§āϤāϰ āĻāĻĒāĻŋāϰāĻžāĻāĻ āĻĒāϰā§āĻŦ)-āĻĄāĻ āĻĒā§āϰāϤā§āϤāĻŋ āĻĒā§āϰāĻžāĻŽāĻŖāĻŋāĻ āĻĻā§, āĻā§āĻŦāϰāĻĄāĻžāĻāĻž āĻšāĻŋāύā§āĻĻā§ āĻāϞā§āĻ,āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ
Music in the Manasa Cult of Bengal: Significance of the Traditional Folk-drama Performances-Aindrila Dutta Chowdhury, Ph.D. Research Scholar, Department of Music, University of Delhi
āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻāĻā§āϤ⧠āϝāύā§āϤā§āϰāĻžāύā§āϏāĻā§āĻā§āϰ āϏāĻŽāϏā§āϝāĻž-āĻā§āĻļāύāĻŋ āϏāϰā§āύ, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āϏāĻā§āĻā§āϤā§āϰ āϏāĻšāĻāϞāĻā§āϝāϤāĻžāϰ āϏāĻŽāϏā§āϝāĻž-āĻĄ. āĻ āϏā§āĻŽāĻž āĻāĻžāύāĻž āĻŽāĻžāĻāϤāĻŋ āϏāĻšāĻāĻžāϰāĻŋ āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, (SACT-II), āĻŦāĻŋāĻĻā§āϝāĻžāϏāĻžāĻāϰ āĻļāĻŋāĻā§āώāĻ āĻļāĻŋāĻāĻŖ āĻŽāĻšāĻžāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ, āĻŽā§āĻĻāĻŋāύā§āĻĒā§āϰ, āĻĒāĻļā§āĻāĻŋāĻŽ āĻŽā§āĻĻāĻŋāύā§āĻĒā§āϰ, āĻĒāĻļā§āĻāĻŋāĻŽāĻŦāĻā§āĻ
āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āύāĻžāĻāĻ, āĻāϞā§āĻĒ āĻ āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āϏāĻā§āĻā§āϤā§āϰ āĻĒā§āϰāϝāĻŧā§āĻ āĻ āĻāϧā§āύāĻŋāĻāϤāĻž-āĻĄ. āĻŽā§āϏā§āĻŽā§ āĻĒāĻžāϞ, āϏāĻšāĻāĻžāϰāĻŋ āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āĻĒā§āϰā§āĻŖāĻŋāĻĻā§āĻŦā§ āĻā§āϧā§āϰ⧠āĻāĻžāϰā§āϞāϏ āĻāϞā§āĻ, āĻŦā§āϞāĻĒā§āϰ, āĻŦā§āϰāĻā§āĻŽ
āϏāĻāĻā§āϤ⧠āϏā§āĻāύ āĻĒāĻĻā§āϧāϤāĻŋ āĻ āϝāύā§āϤā§āϰāĻžāύā§āϏāĻā§āĻ āĻĒā§āϰāϝāĻŧā§āĻ : āĻāϤāĻŋāĻšā§āϝ āĻ āĻāϧā§āύāĻŋāĻāϤāĻž-āĻĄ. āϏā§āĻĻā§āĻĒā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻā§āϝāĻžāĻāĻžāϰā§āĻāĻŋ, āĻ āϤāĻŋāĻĨāĻŋ āĻļāĻŋāĻā§āώāĻ, āϝāύā§āϤā§āϰāϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āϰāĻŦā§āύā§āĻĻā§āϰ āύā§āϤā§āϝāύāĻžāĻā§āϝā§āϰ āĻāĻžāύ⧠āĻāύā§āĻĻ āĻ āϞāϝāĻŧā§āϰ āĻŦā§āĻāĻŋāϤā§āϰā§āϝ-āĻĒāϞā§āϞāĻŦā§ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ, āĻāĻŦā§āώāĻŋāĻāĻž, āϰāĻŦā§āύā§āĻĻā§āϰ āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻĒā§āϰāϝā§āĻā§āϤāĻŋāĻāϤ āϏāĻāĻā§āϤ⧠āĻļāĻŦā§āĻĻā§āϰ āĻŦāĻŋāĻŦāϰā§āϤāύ, āĻĒā§āϰāĻžāĻĒā§āϝāϤāĻž āĻāĻŦāĻ āϏāĻŽāϏā§āϝāĻž-āĻĄ. āϞā§āĻĒāĻžāĻŽā§āĻĻā§āϰāĻž āĻāĻā§āϰāĻŦāϰā§āϤā§; āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž â SACT â (āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ); āĻŽā§āĻŽāĻžāϰāĻŋ āĻāϞā§āĻ; āĻĒā§āϰā§āĻŦ āĻŦāϰā§āϧāĻŽāĻžāύ
Social Media and Change in Music Consumption Habit -Anumita Sengupta, Ph.D. Scholar, Instrumental Music Department, Rabindra Bharati University
āĻāϞāĻā§āĻāĻŋāϤā§āϰā§āϰ āĻāĻŦāĻš āϏāĻāĻā§āϤ⧠āϝāύā§āϤā§āϰāĻžāύā§āϏāĻā§āĻā§āϰ āĻā§āĻŽāĻŋāĻāĻž, āĻŦāĻŋāĻŦāϰā§āϤāύ āĻāĻŦāĻ āϏā§āώā§āĻāĻŋāϰ āĻĒā§āϰāĻā§āϰāĻŋāϝāĻŧāĻž-āĻļā§āϰ⧠āϏā§āĻŦāĻĒāύ āĻā§āϝāĻžāĻāĻžāϰā§āĻāĻŋ
āĻĒāϰāĻŋāĻļā§āϧ āύāĻžāĻā§āϝāĻā§āϤāĻŋ āĻ āύā§āϤā§āϝāύāĻžāĻā§āϝ āĻļā§āϝāĻžāĻŽāĻžāĻ āϰā§āĻĒāĻžāύā§āϤāϰā§āϰ āĻĻā§āĻŦā§āϰāĻĨā§ āĻāĻŦāĻŋāĻŽāĻžāύāϏā§āϰ āĻ āĻāĻŋāĻĒā§āϰāĻžāϝāĻŧ-āĻĒā§āϰāĻŋāϝāĻŧāĻžāĻāĻāĻž āĻāĻā§āĻāĻžāĻāĻžāϰā§āϝā§āĻ¯Â Electronic Media and Hindustani Classical Instrumental Music: An Analysis of Opportunities and Challenges-Subhadip Das, UGC NET Senior Research Fellow, Department of Hindustani Classical Music â [Sitar], Sangit Bhavana, Visva-Bharati, Santiniketan
āĻĒāĻžāĻļā§āĻāĻžāϤā§āϝ āϏā§āĻŦāϰāϞāĻŋāĻĒāĻŋ āĻĒāĻĻā§āϧāϤāĻŋ āĻ āϤāĻžāϰ āĻā§āϰāĻŽāĻŦāĻŋāĻāĻžāĻļ-āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļā§āϝāĻŧā§āĻŦ, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻ, āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āĻĸāĻžāĻāĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻļāĻŋāĻļā§ āĻŽāύ āĻ āϰāĻŦāĻŋ āĻ āĻžāĻā§āϰā§āϰ āĻāĻžāύ-āĻā§āϤāĻžāĻā§āĻāϞāĻŋ āĻā§āώ,  āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āĻŽā§āĻŽāĻžāϰāĻŋ āĻāϞā§āĻ, āĻĒā§āϰā§āĻŦ āĻŦāϰā§āϧāĻŽāĻžāύ
āϏāĻāĻā§āϤ⧠āϰā§āĻ āύāĻŋāϰāĻžāĻŽāϝāĻŧ-āĻĄ. āĻāĻžāϰā§āĻā§ āĻĻāĻžāϏ āĻŦāĻāĻļāĻŋ
Pandit Shankar Ghoshâs Contribution to Tabla Orchestration With special reference to âMusic of the Drums-Nabarun Kumar Datta, Visva-Bharati University, Santiniketan
āϞā§āĻāύāĻžāĻā§āϝā§āϰ āϏāĻāϰāĻā§āώāĻŖ : āĻā§āϰā§āϤā§āĻŦ āĻ āĻĒā§āϰāϝāĻŧā§āĻāύā§āϝāĻŧāϤāĻž-āĻĄ.āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ āĻā§āϝāϏā§āϏāĻŋāϝāĻŧā§āĻ āĻĒā§āϰāĻĢā§āϏāϰ, āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ,āĻšā§āĻāϞā§
Inception and Evolution of Tabla Drum in the Music Culture of Malaysia till 21st Century-DR. ASHIS CHAKRABORTY
āĻŦāĻŋāĻāϝāĻŧ āϏāϰāĻāĻžāϰā§āϰ āĻāĻžāύ⧠āĻāĻŦāĻŋ āĻāĻžāύā§āϰ āĻĒā§āϰāĻāĻžāĻŦ -āύāĻžāĻāĻŽā§āϞ āĻšāĻ āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻ, āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āĻāĻĻāĻžāϝāĻŧāύāĻžāϰāĻžāϝāĻŧāĻŖāĻĒā§āϰ āĻŽāĻžāϧāĻŦā§āϞāϤāĻž āĻŽāĻšāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ, āĻšāĻžāĻāĻĄāĻŧāĻž
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āĻŦāĻā§āĻāĻāĻā§āĻ āĻĒāĻāĻā§āĻŽāĻŋāϤ⧠āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āϏā§āĻŦāĻĻā§āĻļ āĻā§āϤāύāĻž-āϏā§āώāĻŽāĻž āĻā§āĻ
Focus on Different Techniques for generating Various Compositions along with Creation & Improvisation-Dr. Soumen Chakraborty, Department Of Music, Ramsaday College, Amta, Howrah, WB, India
āϤāĻŦā§ āĻŽāύ⧠āϰā§āĻā§-āĻĄāĻ āĻŽāϞāĻŋ āĻŽāĻŋāϤā§āϰ, āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āĻŽā§āĻŽāĻžāϰāĻŋ āĻāϞā§āĻ, āĻŽā§āĻŽāĻžāϰāĻŋ, āĻĒā§āϰā§āĻŦ āĻŦāϰā§āϧāĻŽāĻžāύ
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āĻŦāĻžāĻāϞāĻž āĻāϞāĻā§āĻāĻŋāϤā§āϰ⧠āϞā§āĻāϏāĻāĻā§āϤ āĻŦā§āϝāĻŦāĻšāĻžāϰā§āϰ āĻā§āώā§āϤā§āϰ⧠āϏāĻāĻā§āϤ āĻĒāϰāĻŋāĻāĻžāϞāĻ āĻ āϏāĻāĻā§āϤ āĻļāĻŋāϞā§āĻĒā§āĻĻā§āϰ āϏāĻŽā§āĻĒāϰā§āĻ-āĻĄāĻ āĻāϤāĻŋ āĻĒāĻžāϞ      Â
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āĻŦāĻžāĻāϞāĻž āϞā§āĻāĻā§āϤāĻŋāϰ āϧāĻžāϰāĻžāϝāĻŧ āύāĻāϰā§āϞ-āĻā§āĻŽā§āĻĒāĻž āϏāĻŽāĻĻā§āĻĻāĻžāϰ āϏāĻšāϝā§āĻā§ āĻ āϧā§āϝāĻžāĻĒāĻ, āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āĻĸāĻžāĻāĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻāĻā§āϤ āĻļāĻŋāϞā§āĻĒā§āĻĻā§āϰ āĻā§āĻŽāĻŋāĻāĻž-āĻāĻāĻāĻŋ āϰāĻžāϝāĻŧ, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āϰāĻŦā§āύā§āĻĻā§āϰāϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻāĻŽā§āĻĒā§āϏāĻžāϰ āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻāĻŦāĻ āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āϏā§āϰāĻĒā§āϰāϝāĻŧā§āĻā§āϰ āĻāϧā§āύāĻŋāĻāϤāĻž āĻ āĻŦāĻŋāĻļā§āϞā§āώāĻŖ-āϏāĻā§āĻāĻŋāϤāĻž āĻā§āĻŽāĻŋāĻ, āĻāĻŽ āĻĢāĻŋāϞ āĻāĻŦā§āώāĻ āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āύāĻžāĻāĻ, āĻāϞā§āĻĒ āĻ āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āϏāĻāĻā§āϤā§āϰ āĻĒā§āϰāϝāĻŧā§āĻ āĻ āĻāϧā§āύāĻŋāĻāϤāĻž-āĻ āϰā§āĻŖāĻžāĻ āϰāĻžāϝāĻŧÂ
āĻŦāĻžāĻāϞāĻž āĻāϞāĻā§āĻāĻŋāϤā§āϰ⧠āĻāĻŦāĻšāϏāĻāĻā§āϤ āĻ āĻšā§āĻŽāύā§āϤ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ-āĻĄ. āĻāύā§āĻĻāύ āĻā§āĻŽāĻžāϰ āϰāĻžāϝāĻŧ, āĻ āϤāĻŋāĻĨāĻŋ āĻļāĻŋāĻā§āώāĻ, āϝāύā§āϤā§āϰāϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻā§āϏā§āĻāĻžāύ⧠āĻā§āϰāĻŽāĻĒāϰāĻŋāĻŦāϰā§āϤāύāĻļā§āϞ āϏāĻŽāĻžāĻ āĻ āϏāĻāϏā§āĻā§āϤāĻŋāϰ āĻĒā§āϰāĻāĻžāĻŦ : āĻāϤāĻŋāĻšā§āϝ āĻ āĻāϧā§āύāĻŋāĻāϤāĻž-āĻļā§āϰā§āϤāĻŋ āϏā§āύÂ
Volume-5. No-2: March-April, 2023
Adapting Traditions: A Study of Primitive Tribals in the Face of Changing Farming Practices in India-Anjali Doloi
Santal society in Santali music in India-Mani Barik
Unveiling the Past at the Dutch Burial Grounds of Chunchura â A Regional History Survey-Nayan Saha
Mixed culture of the Rarh region of West Bengal-Dr. Srabani Sen
Exploring the Contemporary Relevance of Yoga Philosophy in India-Mausumi Akhuli
Tracing the Roots and Evolution of a Percussive Tradition-Abhi Gharai
The Old Lady (āĻŦā§ā§āĻŋāĻāĻž)-Dr. Jayanti Mandal (āĻā§āύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ)
Volume-5. No-1: January-February, 2023
Exploring Raga Music on Western Instruments in India-Debasish Mandal
The Philosophical Perspective on Biodiversity Conversation-SK ASRAFUL ISLAM
āĻā§āϝā§āώā§āĻ āϤāĻžāϤ-āĻāĻĒā§āύā§āĻĻā§āϰāĻāĻŋāĻļā§āϰ āϰāĻžāϝāĻŧāĻā§āϧā§āϰā§
āĻāĻŽāϞāĻžāĻāĻžāύā§āϤā§āϰ āĻā§āĻŦāĻžāύāĻŦāύā§āĻĻā§-āĻŦāĻā§āĻāĻŋāĻŽāĻāύā§āĻĻā§āϰ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ
āϤā§āϞ-āĻšāϰāĻĒā§āϰāϏāĻžāĻĻ āĻļāĻžāϏā§āϤā§āϰā§
āĻŽāĻšāĻžāĻāύ⧠āĻĒāĻĻā§ āĻŽāĻžāύāĻŦāϤāĻž-āύāĻžāĻāĻŽā§āϞ āĻšāĻ Â
The 1795-1833 Armed Mass Struggle of Landlords and Adivasis in Manbhum against British Colonial Rule-Pranab Kumar Mahato
Volume-4. No-5: September-October, 2022
LâInfluence Française Dans La Vie et Les Åuvres de Lokenath Bhattacharya– M. Ashis Mahato, Assistant Professor, Chandernagore College, Chandernagore, Hooghly
LâIdÊalisation de la poÊtique libre dans les calligrammes dâApollinaire – Suchandra Ghosh (Basu), Assistant Professor (French), Amity University Mumbai, Chandernagore, Hooghly, west Bengal, India
Les sites archÊologiques de MÄhÄsthangarh du Bangladesh et la contribution française à ses fouilles archÊologiques – M. Prasad Barve
La Rose et le RÊsÊda : Lâappel à lâunitÊ lors de la rÊsistance -M. Prajesh Kumar Basu Assistant Professor, French Amity School of Languages, Amity University Mumbai
La violence verbale : contraintes mÊthodologiques et apport pluridisciplinaire – M. Nabil ERRAJI Laboratoire Langage et SociÊtÊ- URAC56,  UniversitÊ Ibn Tofaïl, nabil
Le non-sens et ses aspects diffÊrents – M. Partho Das Assistant Professor (French Studies) Amity School of Foreign Languages Amity University Kolkata Konnagar, Hooghly
āύā§āϤā§āϝ āĻāϰā§āĻāĻžāϝāĻŧ āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āϏā§āĻŦāĻĒā§āύā§āϰ āĻāĻĻāϝāĻŧāĻĒā§āϰ – āϰāϤā§āύāĻĻā§āĻĒ āϰāĻžāϝāĻŧ, Research Scholar, Rabindra Sangeet Dance and Drama Department, Sangeet Bhavan, Visva BharatiÂ
Gender and Migration in Labor History: as Replicated in the Folk Song of Purulia – Dr. Abhijit Sarkar, Associate Professor of History in WBES & OIC, Govt. General Degree College at Manbazar-II, Susunia, Purulia,W.B.
La figure : comparaison dans le domaine littÊraire – Dr. Amalendu Chakraborty, Professeur de Français,  Assam University Silchar
La pauvretÊ â dans la littÊrature française – Jayita Basak, SACT II, Department of French, Chandernagore College, Chandernagore
Les nÊologismes en français – Ms. Kiran Wadhwa, Assistant Professor, Amity School of Foreign Languages, AmityUniversity, Noida, Uttar Pradesh
Briser lâidÊal pour la beautÊ du spleen: rôle de la sociÊtÊ et la nature dans les poèmes par Baudelaire– Richa Roy, Assistant Professor. Amity School of Foreign languages, Amity University, Kolkata, India.
Les sentiments personnels de Victor Hugo dans ses poèmes choisis -Mr. Prantik Biswas, Assistant Professor in French, Amity School of Foreign Languages, Amity University Kolkata, India
Paratexte comme un outil pour une traduction postcoloniale: Une Êtude de la traduction française de The God of Small Things – M. Rupam Datta, Assistant Professor, Amity University, Kolkata
Les Souvenirs et les Regrets chez Alphonse de Lamartine dans ÂĢ Les MÊditations PoÊtiques Âģ – SUBRATA PAL, Amity University Kolkata, Department of French, Kolkata, India
Symbolisme français dans la poÊsie de W. B. Yeats -Amit Kumar Srivastava,  Lecturer, Mody University of Science & Technology,  Rajasthan
Verbal violence: methodological constraints and multidisciplinary contribution– Mr Nabil ERRAJI Laboratoire Langage et SociÊtÊ- URAC56, UniversitÊ Ibn Tofaïl, nabil
āϰāĻŦā§āύā§āĻĻā§āϰāĻŽāĻžāύāϏ⧠āĻŦāĻŋāϞāĻžāϤ⧠āĻāĻžāύā§āϰ āĻĒā§āϰāĻāĻžāĻŦ – āĻĄ.āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ,āĻšā§āĻāϞā§
āĻŽāĻžāύāĻŦāϤāύā§āϤā§āϰā§āϰ āĻŦāĻŋāĻāĻžāĻļā§ āϝā§āĻāĻžāĻā§āϝāĻžāϏā§āϰ āĻā§āĻŽāĻŋāĻāĻž āĻāĻŦāĻ āϤāĻžāϰ āĻĢāϞāϏā§āĻŦāϰā§āĻĒ āύā§āϤā§āϝāĻāϞāĻžāϰ āϏāĻžāĻŦāϞā§āϞāϤāĻž āĻŦā§āĻĻā§āϧāĻŋ – āϰāĻžāĻšā§āϞ āĻĻā§āĻŦ āĻŽāĻŖā§āĻĄāϞ ( āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻ , āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ , āύā§āϤā§āϝ āĻŦāĻŋāĻāĻžāĻ )Â
Volume-4. No-4 : July-August, 2022
Posted by LOKOGANDHAR ISSN : 2582-2705 Indigenous Art & Culture
āĻ āϰā§āĻā§āύ āĻŽāĻžāĻāĻŋ, āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻ, āĻŦāĻžāĻāϞāĻž āĻŦāĻŋāĻāĻžāĻ, āĻāĻāϰā§āύāĻŽā§āύā§āĻ āĻā§āύāĻžāϰā§āϞ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ āĻļāĻžāϞāĻŦāύāĻŋ, āĻĒāĻļā§āĻāĻŋāĻŽ āĻŽā§āĻĻāĻŋāύā§āĻĒā§āϰÂ
āϏāĻžāϝāĻŧāύā§āϤ⧠āĻāĻāĻ, āĻĒāĻŋāĻāĻāĻāĻĄāĻŋ āϏā§āĻāϞāĻžāϰ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āϧāϰā§āĻŽā§āϰ āύāĻžāĻŽā§ āĻšāϤā§āϝāĻžāϰ āĻŦāĻŋāϰā§āĻĻā§āϧ⧠āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āύāĻžāĻāĻ āĻ āύāĻžāĻāĻā§āϰ āĻāĻžāύ –āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
IOT â SMART CITY –SANDIP ROY State Aided College Teacher [SACT], GOBARDANGA HINDU COLLEGE
āĻāĻŦāĻŋ āύāĻāϰā§āϞā§āϰ āĻāĻžāĻŦāύāĻžāϝāĻŧ āϏā§āĻŦāĻĻā§āĻļ āĻ āĻŦāĻŋāĻļā§āĻŦ–āĻĄ.āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ āϏāĻšāĻāĻžāϰ⧠āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āϏāĻā§āĻā§āϤ āĻŦāĻŋāĻāĻžāĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ āĻĄāĻŋāĻā§āϰāĻŋ āĻāϞā§āĻ,āϤāĻžāϰāĻā§āĻļā§āĻŦāϰ,āĻšā§āĻāϞā§
Volume-4. No-3 : May-June, 2022
āĻāĻžāϰāϤā§āϝāĻŧ āĻāĻāϞ āĻ āĻŦā§āĻāĻŽ āĻāĻāϤāĻžāϰ–āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ
THE EXPEDITION OF GRAPPLE AND RECOGNITION OF WOMEN IN BANGLA THEATRE
SAYANTIKA GHOSH, PhD Research Scholar, RBU, SACT, Gobardanga Hindu CollegeÂ
BAIJI CULTURE OF KOLKATA DURING COLONIAL PERIOD: A REVIEW
Aritri Majumder, SACT,Department of Music, Gobardanga Hindu College,Â
Volume-4. No-2 : March -April, 2022
āĻĒā§āĻŖā§āĻĄā§āϰ, āύāĻŽāĻāĻļā§āĻĻā§āϰ āĻ āϰāĻžāĻāĻŦāĻāĻļā§ āĻāύāĻā§āώā§āĻ ā§āϰ āĻļāĻŋāĻā§āώāĻž āĻ āϏāĻŽāĻžāĻ āĻā§āϤāύāĻž ā§§ā§Žā§Ģā§-⧧⧝ā§Ēā§ –āĻĄāĻ āĻļā§āϝāĻžāĻŽāĻž āĻĒā§āϰāϏāĻžāĻĻ āĻŽāύā§āĻĄāϞ
Scenography in Indian Theatre: Sharing Aesthetics of Light and Sound-Dr. Gagandeep, Assistant Professor, Department of Drama. Rabindra Bharati University
āĻāĻžāĻŦ āĻ āϏā§āϰā§āϰ āĻŽā§āϞāĻŦāύā§āϧāύ⧠āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āĻāĻžāύ– āĻĄ.āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ
Portrayal of Information Communication Technology in Empowering Rural Female Laboureâs in Agricultural Field –Sayantika Ghosh, SACT, Gobardanga Hindu College, Ph.D. Research Scholar, RBU.
Volume-4. No-1 : January-February, 2022
āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ â āĻāĻĒāϞāĻŦā§āϧāĻŋ āĻ āĻā§āϤāύāĻžāϰ āĻĒāϰāĻŋāĻŦāϰā§āϤāύ–āĻĄ. āĻĒā§āϰāϤā§āϤāĻŋ āĻĒā§āϰāĻžāĻŽāĻžāĻŖāĻŋāĻ āĻĻā§, āĻā§āĻŦāϰāĻĄāĻžāĻā§āĻāĻž āĻšāĻŋāύā§āĻĻā§ āĻāϞā§āĻ , āϏāĻāĻā§āϤ āĻŦāĻŋāĻāĻžāĻ
āĻâāϝāĻŧā§āϰ āĻĻāĻļāĻā§ āĻŦāĻšā§āϰā§āĻĒā§āϰ āϰāĻŦā§āύā§āĻĻā§āϰ āύāĻžāĻāĻ āĻ āĻļāĻŽā§āĻā§ āĻŽāĻŋāϤā§āϰā§āϰ āύāĻžāĻā§āϝ āĻĒā§āϰāϝā§āĻāύāĻž–āĻā§āώā§āĻŖāĻĒāĻĻ āĻĻāĻžāϏ
Empowerment Through Struggles and Strifes â An Analytical Study of Mitraâs Putul Khela-SAYANTIKA GHOSH Ph.D. Research Scholar, Rabindra Bharati University
āĻŦāĻžāĻāĻžāϞāĻŋāϰ āύāĻŦāĻāĻžāĻāϰāĻŖā§āϰ āĻāĻžāύ–āĻĄ. āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ
Development and Growth of Schedule  Caste Women Empowerment in West Bengal-Bikash Chandra Mondal Assistant Professor Dinabandhu Mahavidyalaya
HUMAN CHAKRA-Rahul DevMondal Assistant Professor  RBU , Department of Dance
āĻŽāĻŖāĻŋāĻĒā§āϰ⧠āύā§āϤā§āϝā§āϰ āĻāĻāϤ⧠āĻā§āϰ⧠āĻĻā§āĻŦāϝāĻžāύ⧠āĻāϞāĻŋāĻšāĻžāϰ āĻ āĻŦāĻĻāĻžāύ-Ahana Chakraborty, Research scholar Department of Rabindra Sangit ,Dance and Drama Sangit Bhavana, Visva Bharati University
āĻā§āϰā§āĻĒ āĻĨāĻŋāϝāĻŧā§āĻāĻžāϰ āϏāĻāϞāĻā§āύ āĻĻā§āĻ āĻ āĻāĻŋāύā§āϤā§āϰ⧠āĻāĻŋāϤā§āϰāĻž āϏā§āύ āĻ āϏā§āĻŽāĻž āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ : āĻāϞāĻāĻŦāĻŋ –āĻŽā§ āĻāĻā§āϰāĻŦāϰā§āϤā§
Volume-3. No-6 : November-December 2021
āĻ āĻžāĻā§āϰāĻŦāĻžāĻĄāĻŧāĻŋ āĻ āĻŦāĻžāĻāĻāĻŋ āϏāĻāĻā§āϤ–āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ
āĻāĻžāϰāϤā§āϝāĻŧ āĻŦāĻžāĻĻā§āϝāϝāύā§āϤā§āϰ āĻ āϝāύā§āϤā§āϰāϏāĻā§āĻā§āϤā§āϰ āϏā§āĻāĻžāϞ-āĻāĻāĻžāϞ– āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āĻāĻŽāĻžāϰ āύā§āϤā§āϝāĻā§āϰ⧠āĻĒāĻĻā§āĻŽāĻļā§āϰ⧠āĻĨāĻŋāĻāĻŦāĻžāĻāĻāĻŽ āĻŦāĻžāĻŦā§ āϏāĻŋāĻāĻš–āĻĄāĻ āϏā§āĻŽāĻŋāϤ āĻŦāϏā§, āĻ āϧā§āϝāĻžāĻĒāĻ, āϏāĻāĻā§āϤ āĻāĻŦāύÂ
āĻāϞāĻāĻžāϤāĻžāϰ āĻļāĻžāϏā§āϤā§āϰā§āϝāĻŧ āϏāĻā§āĻā§āϤ āĻāϰā§āĻāĻž-āĻŦāĻŋāĻļā§āĻŦāĻāĻŋāϤ āύāύā§āĻĻā§
āĻā§āϰāĻžāĻŽā§āϝāϏāĻžāĻšāĻŋāϤā§āϝ–āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāĻā§āϰ
Volume-3. No-5 : September-October 2021
āĻļāĻŋāĻļā§āĻļāĻŋāĻā§āώāĻžāϰ āĻāĻĒāĻāϰāĻŖā§ āĻāύā§āĻĻ : āĻŦāĻŋāĻĻā§āϝāĻžāϏāĻžāĻāϰ āĻ āĻāϧā§āύāĻŋāĻ āĻĒā§āϰāĻāύā§āĻŽ–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
Volume III. No. IV. : July-August 2021
Angashuddhi : Bharatnatyam Dance-Rahuldeb Mondal
āϰāĻžāĻĸāĻŧ āĻŦāĻžāĻāϞāĻžāϰ āϞā§āĻāϏāĻāĻā§āϤ⧠āĻāϧā§āύāĻŋāĻāϤāĻž–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨā§āϰ āĻŦāĻžāĻāϞ āĻĻāϰā§āĻļāύ āĻ āϏāĻā§āĻā§āϤ–āĻĄ. āĻļā§āϰāĻžāĻŦāĻŖā§ āϏā§āύ
āĻāĻā§āĻļ āĻļāϤāĻā§āϰ āĻŽā§āϝāĻŧā§āϰāĻž–āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ
āĻā§āϰ⧠āĻāĻŽā§āĻŦā§ āϏāĻŋāĻāϝāĻŧā§āϰ āύā§āϤā§āϝāĻļā§āϞ⧖āϏāĻžāϝāĻŧāύā§āϤāύ⧠āĻā§āϧā§āϰā§
āϏāϤā§āϝā§āύ āĻŽā§āϤā§āϰ āĻ āϏāĻžāĻā§āώāϰāϤāĻž āĻāύā§āĻĻā§āϞāύ–āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
āĻāĻžāĻĻā§ āĻāĻžāύ, āĻāĻžāĻĻā§ āύāĻžāĻ : āĻāĻĻāĻŋāĻŦāĻžāϏ⧠āĻĒāϰāĻŦ āĻĨā§āĻā§ āϏāĻžāϧāĻžāϰāĻŖā§āϰ āϞā§āĻ āĻā§āϏāĻŦ–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
Volume-3. No-3 : May-June 2021
āĻŦāĻžāĻā§âāϝāύā§āϤā§āϰ : āĻāĻ āĻŖ āĻ āϏāĻžāĻā§āĻā§āϤāĻŋāĻ āĻŦā§āϝāĻŦāĻšāĻžāϰ–āύā§āϰ āύāĻŦā§ āĻŽā§āϰāĻŖ
āĻŽāĻžāϤā§āĻāĻžāώāĻž āĻŦāĻžāĻāϞāĻž āĻ āĻāϰāĻžāĻā§āϝā§āϰ āϰāĻžāĻāύā§āϤāĻŋāĻ āĻĻāϞāĻā§āϞāĻŋ–āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
Volume-3. No-2 : March-April 2021
ā§§ā§Š āĻāĻĒā§āϰāĻŋāϞ : āĻŦāϰā§āĻŖāĻĒāϰāĻŋāĻāϝāĻŧ āĻĻāĻŋāĻŦāϏ–āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
MARGAM IN BHARATNATYAM TRADITION-Rahuldev Mondal
Bengali Song in Bengal Renaissance Movement: Education and Practice-Dr Soma Das Mondal
āύāĻžāϰ⧠āĻā§āώāĻŽāϤāĻžāϝāĻŧāύ āĻĒā§āϰā§āĻā§āώāĻŋāϤ⧠āĻŦāĻā§āĻ-āϰāĻā§āĻāĻŽāĻā§āĻā§āϰ āĻļāϤāĻžāĻŦā§āĻĻā§āĻŦā§āϝāĻžāĻĒā§ âāĻ āĻāĻŋāύā§āϤā§āϰā§â āϏā§āϤā§āϰāϤāĻž– āĻŽā§ āĻāĻā§āϰāĻŦāϰā§āϤ⧠, āύāĻžāĻā§āϝ āĻāĻŦā§āώāĻ , āύāĻžāĻāĻ āĻ āύāĻžāĻā§āϝāĻāϞāĻž āĻŦāĻŋāĻāĻžāĻ, āϏāĻāĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§
Different Faces of Violence in Selected Plays of Harold Pinter-Soma Mondal, Assistant Professor, Department of English, Gobardanga Hindu College
āύāĻžāϰā§āĻŽā§āĻā§āϤāĻŋ āĻāύā§āĻĻā§āϞāύ–āĻĄ. āĻāϝāĻŧāύā§āϤ⧠āύā§āĻ
Volume-3. No-1 : January-February 2021
āϞā§āĻāĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻĨā§āĻā§ āϞā§āĻāϏāĻāϏā§āĻāĻžāϰ⧠āϏā§āώā§āĻ āĻā§āĻāĻŦāĻŋāĻšāĻžāϰā§āϰ āϞā§āĻāύā§āϤā§āϝā§āϰ āϰā§āĻĒāϰā§āĻāĻž– āĻ āĻŽā§āĻŦāĻŋāĻāĻž āĻāĻžāĻŖā§āĻĄāĻžāϰā§, āĻāĻŦā§āώāĻ, āϏāĻā§āĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§
HISTORY OF WOMEN EDUCATION IN INDIA– Dr. Saswati Roy Chowdhury, Asst. Professor, Padmaja Naidu College of Music-Burdwan University.:Burdwan
In front of the mirror : Abhinaya Darpana-Nrityachuramani Rahul Dev Mondal (Assistant Professor, Rabindra Bharati University , Department of Dance )
āϰāĻžāĻā§āϝ āĻĻāĻāϞ āĻĨā§āĻā§ āĻā§āĻāĻŋāĻĄ ⧧⧝ : āĻļāĻŋāϞā§āĻĒ āĻ āĻļāĻŋāϞā§āĻĒā§āϰ āĻāĻŋāĻŦāĻŋāώā§āϝ⧖āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āϰāĻŦāĻŋāĻļāĻā§āĻāϰā§āϰ āϏā§āϤāĻžāϰā§āϰ āĻŦāĻžāĻ–āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ–āϏāϰā§āĻĻāĻŦāĻžāĻĻāĻ
āĻāĻĻāϝāĻŧāĻļāĻāĻāϰā§āϰ âāĻāϞā§āĻĒāύāĻžâāϝāĻŧ āύā§āϤā§āϝā§āϰ āϏāĻžāĻāĻāĻ āύāĻŋāĻ āĻā§āĻŽāĻŋāĻāĻž–āϤāĻĒā§āĻŦā§āϰāϤ āĻā§āϝāĻžāĻāĻžāϰā§āĻā§āĻā§ āĻāĻŦā§āώāĻ, āϏāĻāĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāĻ¤ā§ Â Â
Volume-2. No-6 : November-December 2020
Energy Embodiment of Indian Classical Dance– Rahuldeb Mandal
āĻāĻžāύā§āϰ āϏā§āϤā§āϰ⧠āύāĻžāĻā§āϝā§āϰ āĻŽāĻžāϞāĻžâ āĻāĻŦāĻ āύāĻžāĻā§āϝā§āϰ āϏā§āϤā§āϰ⧠āĻāĻžāύā§āϰ āĻŽāĻžāϞāĻžâ : āĻāĻāĻāĻŋ āϏāĻŽā§āĻā§āώāĻž–āĻĄāĻ āĻā§āώā§āĻŽāĻĻā§āĻŦ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ, āĻāĻžāϰ āĻĒā§āϰāĻžāĻĒā§āϤ āĻ āϧā§āϝāĻā§āώ, āĻĒāĻĻā§āĻŽāĻāĻž āύāĻžāĻāĻĄā§ āĻāϞā§āĻ āĻ āĻĢ āĻŽāĻŋāĻāĻāĻŋāĻ
âāĻāĻžāϰāϤā§āϝāĻŧ āϏāĻā§āĻā§āϤ⧠āĻāύā§āϤāϰā§āĻāĻžāϤāĻŋāĻ āĻā§āϤāύāĻž –āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύā§āϰ āύā§āϤā§āϝ āϧāĻžāϰāĻžāϝāĻŧ āĻā§āϰ⧠āĻā§. āϝāϤā§āύā§āĻĻā§āϰ āϏāĻŋāĻāĻšā§āϰ āĻ āĻŦāĻĻāĻžāύ –āϤāύā§āĻŽāϝāĻŧ āĻĒāĻžāϞ
āĻŦāĻžāĻāϞāĻžāϝāĻŧ āϏā§āϤā§āϰā§-āĻļāĻŋāĻā§āώāĻž āĻāύā§āĻĻā§āϞāύ āĻ āύāĻžāϰā§āĻĻā§āϰ āĻŦāύā§āϧāύ āĻŽā§āĻā§āϤāĻŋāϰ āϏā§āĻāύāĻž –āĻĄ. āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ āĻļāĻŋāĻā§āώāĻž āĻ āϏāĻāϏā§āĻā§āϤāĻŋāϰ āĻā§āώā§āϤā§āϰ⧠āĻŦāĻŋāĻļā§āĻŦāĻžāϝāĻŧāύā§āϰ āĻĒā§āϰāĻāĻžāĻŦ– āĻĢāϤāĻŋāĻŽāĻž āĻāĻā§āϤāĻžāϰ
āϰāĻžāĻĸāĻŧ āĻ āĻā§āĻāϞā§āϰ āϏāĻāĻā§āϤ āϏāĻāϏā§āĻā§āϤāĻŋ āĻ āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύā§āώā§āϰ āĻāĻĨāĻž–āĻĄ. āϏā§āĻŽāĻž āĻĻāĻžāϏ āĻŽāĻŖā§āĻĄāϞ
āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāĻŦāĻžāĻĻāϰā§āĻļā§ āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāĻŦāύā§āϤā§āϝ– āĻāύā§āĻĻā§āϰāĻžāĻŦāϞ⧠āĻāĻžā§āώāĻžāϞ āĻāĻŦā§āώāĻ, āϏāĻā§āĻā§āϤ āĻāĻŦāύ, āϰāĻŦā§āύā§āĻĻā§āϰ āϏāĻā§āĻā§āϤ āύā§āϤā§āϝāύāĻžāĻā§āϝ āĻŦāĻŋāĻāĻžāĻ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
āĻļāĻžāϏā§āϤā§āϰā§āϝāĻŧ āĻŽāĻŖāĻŋāĻĒā§āϰ⧠āύā§āϤā§āϝā§āϰ āύāĻŋāϰā§āĻŽāĻŋāϤāĻŋ āĻāĻŦāĻ āĻŦā§āϝāĻžāĻĒā§āϤāĻŋāϤ⧠āĻŦāĻŋāĻāĻļ āĻļāϤāĻžāĻŦā§āĻĻā§āϰ âāϤā§āϰāĻŋāĻŽā§āϰā§āϤāĻŋâ āĻā§āϰā§āϰ āĻā§āĻŽāĻŋāĻāĻž – āϤāĻžāύāĻŋāϝāĻŧāĻž āĻāĻā§āϰāĻŦāϰā§āϤā§āϤā§, āĻāĻŦā§āώāĻ, āϏāĻāĻā§āϤ āĻāĻŦāύ, āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
Tagoreâs Vision of a Transformed Society â Soma Mondal, Assistant Professor, Department of English, Gobardanga Hindu College
Volume 2, No 5. September-October 2020
āĻŽāĻŖāĻŋāĻĒā§āϰ⧠āύā§āϤā§āϝāĻļā§āϞā§āϤ⧠āĻāĻāĻ āύā§āϤā§āϝā§āϰ āĻĒā§āύāϰā§āύāĻŦā§āĻāϰāĻŖ– āϰāĻŋāĻā§āĻāĻŋ āĻŽāĻžāĻšāĻžāϤā§, āĻāĻŦā§āώāĻ, āϏāĻāĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§
Mudras of YOGA & Dance – Nritya Churamani Rahul Dev Mondal
An Overview of the Context and Related Literature Review of the Sena Period Sculptures of Bengal– Arindam Mandal
āϞā§āĻāĻžāϝāĻŧāϤ āĻāĻžāύ⧠āĻāĻžāĻā§ āύāĻāϰā§āĻ˛Â āĻāϏāϞāĻžāĻŽ-āĻĄ. āĻŽā§āĻŽāĻŋāϤāĻž āĻŦā§āϰāĻžāĻā§
āĻ āĻā§āĻāϞ⧠āϞāĻš āϏāĻā§āĻā§āϤ⧖āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦā§āϝāĻžāύāĻžāϰā§āĻāĻŋ
āĻŽāĻžāύāĻŦāĻŋāĻ āĻŦāĻŋāĻāĻžāĻļā§ āĻĒā§āϰāĻžāϤāĻŋāώā§āĻ āĻžāύāĻŋāĻ āĻļāĻŋāĻā§āώāĻžāϝāĻŧ āϏāĻā§āĻā§āϤā§āϰ āĻā§āϰā§āϤā§āĻŦ–āϞā§āύāĻž āĻĢāϤāĻŋāĻŽāĻž
āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύā§āώ– āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
Volume 2, No 4. July- August 2020
āϞā§āĻāĻŋāĻ āĻŦā§āϰāϤ : āϤā§āϏ⧠āĻ āĻāĻžāĻĻā§ āĻāĻžāύ–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āύā§āĻĒāĻĨā§āϝ āύāĻžāĻā§āϝāĻļāĻŋāϞā§āĻĒā§ āĻā§āĻŽāĻžāϰ āϰāĻžāϝāĻŧ– āĻŦāĻŋāĻļā§āĻŦāĻāĻŋā§ āĻŽāĻŖā§āĻĄāϞ
āϰāĻžāĻĸāĻŧā§āϰ āϏāĻŽā§āĻĒāĻĻ āĻā§āĻŽā§āϰ āϤā§āώ⧠āĻāĻžāĻĻā§ āĻāĻžāύ –āĻĄ. āϏā§āĻŽāĻž āĻĻāĻžāϏ āĻŽāĻŖā§āĻĄāϞ
āĻā§āϤ āĻ āĻ āĻĻā§āĻā§āϤ āĻāĻžāĻšāĻŋāύ⧖ āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦā§āϝāĻžāύāĻžāϰā§āĻāĻŋ
āĻĻāĻŖā§āĻĄāĻŋāϤ āϏāĻŽā§āϰāĻžāĻ āĻāϞā§āĻ āĻŦā§āĻ– āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
Volume 2, No 3. May-June 2020
āϏāĻā§āĻā§āϤ āĻļāĻŋāĻā§āώāĻž : āϝā§āĻā§āϤāĻŋ āĻ āĻāĻŦā§āĻ–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āϰāĻžāĻ āĻāϞāĻžāĻĒ : āύāĻŋāĻŦāĻĻā§āϧ āĻ āĻ āύāĻŋāĻŦāĻĻā§āϧ āϏāĻā§āĻā§āϤā§āϰ āĻĒā§āϰāĻāĻžāĻŦ–āĻĄ. āĻāϝāĻŧāύā§āϤ āĻŽāϞā§āϞāĻŋāĻ
āĻĒā§āϰāϏāĻā§āĻ āĻŦāĻŋāĻļā§āĻŦ āύā§āϤā§āϝ āĻĻāĻŋāĻŦāϏ– āϰāĻžāĻšā§āϞāĻĻā§āĻŦ āĻŽāĻŖā§āĻĄāϞ
Manna Dey & Hemanta Mukhopadhyay : (An outward study on their styles and the cordiality they shared)- SUBHADRAKALYAN
āĻāϰā§āύāĻž āĻŦāĻŋāĻĒāϰā§āϝāϝāĻŧ : āĻāϏ⧠āĻĒā§āϰāϤāĻŋāϰā§āϧ āĻāϰāĻŋ–āĻĄ. āϏā§āĻļāĻžāύā§āϤ āĻā§āĻŽāĻžāϰ āϏāĻžāĻŽāύā§āϤ
Volume 2, No 2. March-April 2020
ASHTANGA YOGAÂ – Nrityachuramani Rahul Dev Mondal ( Assistant Professor, Department of Dance, Rabindra Bharati University
 Socio-cultural Background of Kanada Ragini– Pandit Anindya Banerjee
  āĻŦāĻžāĻāϞāĻžāϝāĻŧ āϏā§āϤā§āϰā§āĻļāĻŋāĻā§āώāĻž āĻŦāĻŋāϏā§āϤāĻžāϰ : āĻŦāĻžāϞāĻŋāĻāĻž āĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ āĻĒā§āϰāϤāĻŋāώā§āĻ āĻžāϝāĻŧ āĻŦāĻŋāĻĻā§āϝāĻžāϏāĻžāĻāϰ– āĻĄāĻ āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ
āĻ āϰā§āĻŖ āĻŽāĻŋāϤā§āϰ:āĻāĻāĻžāϧāĻžāϰ⧠āĻā§āĻŦāύ āϰāϏ āϰāϏāĻŋāĻ āĻ āĻŽāĻā§āύ āϧā§āϝāĻžāύ⧠āĻāĻŦāĻŋ–āĻĄāĻ āĻāϰāĻžāĻŦāϤ⧠āĻŽāĻŖā§āĻĄāϞ
An Introduction to the Musical Concepts of Satyajit Ray– Subhrakalyan
āϰāĻŦā§āύā§āĻĻā§āϰ-āĻā§āĻŦāύ⧠āϏāĻāĻāĻžāϤ– āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
Volume 2.No.1 : January- February 2020
- Sadir Nattyam : as a dance form can be considered as divine danceâĻâĻâĻâĻâĻ, Nrityachuramani Rahul Dev Mondal ( Assistant Professor ,âĻ
- PANDIT NIKHIL GHOSH and USTAD ALLAH RAKHA(An outward study on their styles and the cordiality they shared) – SubhadrakalyanÂ
- āĻŦāĻžāĻāϞāĻž āĻāĻžāύ⧠āĻĒāĻŖā§āĻĄāĻŋāϤ āĻā§āĻāĻžāύāĻĒā§āϰāĻāĻžāĻļ āĻā§āώ, āĻ āĻāύā§āϤāĻž āĻāĻžāύāĻž, āĻāĻŦā§āώāĻ, āϏāĻā§āĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ
- Vidushi Purnima Chowdhury : An Artiste with a Motherly Heart, Bhabanishankar Dasgupta.
- āĻŽāύāĻŋāĻĒā§āϰ⧠āύā§āϤā§āϝ : āĻŽāύā§āĻĄāĻĒā§āϰ āĻāύā§āĻĄāĻŋ āĻĨā§āĻā§ āĻŽāĻā§āĻā§ āĻāĻĒāϏā§āĻĨāĻžāĻĒāύāĻž, āϰāĻŋāĻā§āĻāĻŋ āĻŽāĻžāĻšāĻžāϤā§, āĻāĻŦā§āώāĻ, āϏāĻā§āĻā§āϤ āĻāĻŦāύ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ.
- āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļ : āĻāĻžāώāĻžāϰ āĻĻāĻžāĻŦāĻŋ â āĻŽā§āĻā§āϤāĻŋāϰ āĻāĻžāύ –āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
- āĻĒāĻŖā§āĻĄāĻŋāϤ āĻŦāĻŋ. āĻāύ .āĻāĻžāϤāĻāĻŖā§āĻĄā§āĻā§āϰ āĻ āĻžāĻ āĻā§āϰāĻžāĻŽāϤāĻŋ – āĻĻā§āĻĒāĻāĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ, āĻāĻŦā§āώāĻ
-  āĻāĻŋāύā§āύ āĻāϞāĻž, āĻāĻŋāύā§āύ āĻāĻžāύ : āĻāύā§āĻ āϏāĻžāϧāύā§āϰ āϏāĻžāϧāĻžāϰāĻŖ āύāĻŋāϝāĻŧāĻŽ –āύā§āϰ āύāĻŦā§ āĻŽāĻŋāϰāύ (āĻĸāĻžāĻāĻž, āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļ) cember 1, 2019
-  āĻā§āĻĄāĻŧāĻžāϏāĻžāĻāĻā§āϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āĻĻāĻā§āώāĻŋāĻŖā§āϰ āĻŦāĻžāϰāĻžāύā§āĻĻāĻžÂ –āĻĄ. āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ
-  Expressions of Rebellion and Protest: A Study of Kazi Nazrul Islam – Ms Amrita Majumdar, Asst.Prof.Dept.Of Music, Bankua Zilla Saradamani Mahila Mahavidyapith. Bankura University, West.BengalÂ
- āϤāĻžāĻšāĻžāĻĻā§āϰ āĻāĻĨāĻž –āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ Â
- āĻŦāĻŋāϏāϰā§āĻāύ āύāĻžāĻāĻā§āϰ āϏāĻāĻā§āϤ –āĻĄāĻ āĻā§āώā§āĻŽāĻĻā§āĻŦ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ, āϏāĻš āĻ āϧā§āϝāĻžāĻĒāĻ, āĻĒāĻĻā§āĻŽāĻāĻž āύāĻžāĻāĻĄā§ āĻāϞā§āĻ
- ⤏āĨ⤰ ā¤¸ā¤ŽāĨā¤°ā¤žā¤ ā¤ā¤¸āĨā¤¤ā¤žā¤Ļ ⤠⤞āĨ ⤠ā¤ā¤Ŧ⤰ ā¤ā¤žā¤– ⤠ā¤ā¤ŋā¤āĨ⤤ ā¤°ā¤žā¤¯ā¤āĨ⤧⤰āĨÂ
- A Short History of Masidkhani Gat and Baaj- Bhabanishankar Dasgupta
- āĻŦāĻžāĻāĻžāϞāĻŋ āĻāĻžāϤāĻŋāϏāϤā§āϤā§āĻŦāĻž āĻāύā§āĻĻā§āϞāύ, āĻŦāĻžāĻāϞāĻžāĻāĻžāώāĻž āĻ āĻŦāĻžāĻāϞāĻž āĻāĻžāύ–āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāĻ˛Â February 1, 2020
-  The Different Gharanas of Sitar– Pandit Bhabani Shankar Dasgupta February 1, 2020
-  āĻāĻžāϝāĻŧāĻā§ āϤā§āϰāĻŋāϰ āĻāĻĒāĻžāϝāĻŧ– āύā§āϰ āύāĻŦā§ āĻŽāĻŋāϰāĻŖÂ February 1, 2020
-  āĻŦāĻŋāϰāϞ āϏāĻžāĻā§āĻā§āϤāĻŋāĻ āĻŦā§āϝāĻā§āϤāĻŋāϤā§āĻŦ āĻĻā§āĻŦāĻŦā§āϰāϤ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ–āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ  February 1, 2020
- āĻ āϰāĻŖā§āϝā§āϰ āĻ āϧāĻŋāĻāĻžāϰ : āĻŽā§āĻŖā§āĻĄāĻžāĻĻā§āϰ āĻ āϧāĻŋāĻāĻžāϰ āϰāĻā§āώāĻžāϰ āĻāĻŦāĻš āϏāĻā§āĻā§āϤ–āĻĄāĻ āĻāϰāĻžāĻŦāϤ⧠āĻŽāĻŖā§āĻĄāϞ, āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āĻĻāĻŽāĻĻāĻŽ āĻŽāϤāĻŋāĻāĻŋāϞ āĻāϞā§āĻ
Volume-1.No.-1 : September-October 2019
- Nritya Yoga â An Amalgamation of Dance and Yoga -Rahul Dev Mondal (Assistant Professor, Rabindra Bharati University
- āĻļāĻŋāϞā§āĻĒā§ āύāĻžāύā§āĻĻāύāĻŋāĻāϤāĻž : āĻĻāϰā§āĻļāύ– āϞā§āĻĒāĻžāĻŽā§āĻĻā§āϰāĻž āĻāĻā§āϰāĻŦāϰā§āϤ⧠-(āĻāĻŦā§āώāĻ–āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- Analytical Survey on Applied Theater in West Bengal-Dr. Biswajit Mondal ( Guest Teacher, Rabindra Bharati University )
- āϤāĻŦāϞāĻž āĻŦāĻžāĻĻā§āϝāϝāύā§āϤā§āϰā§āϰ āϝāĻžāĻĻā§āĻāϰ āĻŽā§āĻā§āϤ⧠āĻĻāĻžāϏ–āĻ āϧā§āϝāĻžāĻĒāĻ āĻŦāĻŋāĻļā§āĻŦāĻāĻŋā§ āĻāĻā§āĻāĻžāĻāĻžāϰā§āϝ, (āĻ āϧā§āϝāĻžāĻĒāĻ āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- āĻļāĻŋāĻļā§ āĻļāĻŋāĻā§āώāĻžāϝāĻŧ āϏāĻāĻā§āϤ–āĻ āϧā§āϝāĻžāĻĒāĻ āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞāĨ¤ (āĻ āϧā§āϝāĻžāĻĒāĻ āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- āĻĻāĻā§āώāĻŋāύā§āϰ āĻŦāĻžāϰāĻžāύā§āĻĻāĻžāϝāĻŧ āĻ āĻŦāύ āĻ āĻžāĻā§āϰ – āĻĄāĻ āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ. (āĻ āϤāĻŋāĻĨāĻŋ āĻ āϧā§āϝāĻžāĻĒāĻ–āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- āĻāĻā§āĻāĻžāĻā§āĻ āϏāĻāĻā§āϤ : āϏā§āϤāĻžāϰ āϏāϰā§āĻĻā§ āύāϤā§āύ āĻĒā§āϰāĻāύā§āĻŽ-āĻŽā§āϏā§āĻŽā§ āĻā§āώ – āĻāĻā§āĻāĻŽāĻžāϧā§āϝāĻŽāĻŋāĻ āϏā§āĻā§āϞā§āϰ āĻā§āϰāύā§āĻĨāĻžāĻāĻžāϰāĻŋāĻ
- āϞā§āĻāϰāĻžāĻŽāĻžāϝāĻŧāĻŖ : āĻŦāĻžāϞā§āĻŽāĻŋāĻā§ āĻ āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύā§āώ –āĻĻā§āĻĒāĻā§āĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ, āĻāĻŦā§āώāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ Â
- āĻā§āĻŽā§āϰ āĻāĻžāύā§āϰ āϰā§āĻĒ āĻ āϰā§āĻĒāĻžāύā§āϤāϰ–āĻĄ. āϏā§āĻŽāĻž āĻĻāĻžāϏ āĻŽāĻŖā§āĻĄāϞ, āĻ āϧā§āϝāĻžāĻĒāĻŋāĻāĻž, āĻ ā§āϝāĻžāĻĄāĻžāĻŽāĻžāϏ āĻāĻāύāĻŋāĻāĻžāϰā§āϏāĻŋāĻāĻŋ
- Â Identity of Santhal within their Music and Dance form – Dr. Saswati Sinhababu, Assistant Professor, Saldiha College
-  āĻĻā§āϰā§āĻāĻžāĻĒā§āĻā§āϰ āĻāϞāĻžāĻŦā§ : āϞā§āĻāĻžāĻāĻžāϰ– āĻĻā§āĻĒāĻā§āĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ, āĻāĻŦā§āώāĻ, āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ Â
-  āĻ āϤā§āϤā§āϰ āĻĒāĻžāϤāĻž āĻĨā§āĻā§ : āĻāϞā§āϰ āĻāĻžāύ, āϰā§āĻāϰā§āĻĄā§āϰ āĻāĻžāύ –āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ, āĻĒā§āϰāĻā§āϝāĻžāϤ āϏāϰā§āĻĻ āĻŦāĻžāĻĻāĻ āĻ āĻ āĻāĻŋāύā§āϤāĻž
- The Traditional Identity of The Folk Music of Chhattisgarh– Dr. Asish Chakraborty
Volume-1.No.-2 : November-December 2019
 āĻāϞā§āϰ āĻā§āϏāĻŦ : āĻā§āϞāĻā§āϞā§āϤāĻŋ â āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
 āύāĻžāĻā§āϝ āϏāĻāĻāĻ āĻ āĻ āĻļāĻŋāĻā§āώāĻ āĻā§āĻŽāĻžāϰ āϰāĻžāϝāĻŧ–āĻĄ. āĻŦāĻŋāĻļā§āĻŦāĻāĻŋā§ āĻŽāĻŖā§āĻĄāϞ
 āĻ āϤā§āϤā§āϰ āĻĒāĻžāϤāĻž āĻĨā§āĻā§ : āĻāϞāĻāĻžāϤāĻžāϝāĻŧ āϏāϰā§āĻĻ āĻāϰā§āĻāĻžâ āĻĒāĻŖā§āĻĄāĻŋāϤ āĻ āύāĻŋāύā§āĻĻā§āϝ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ
 Sound, the Threshold of Spiritual Science-Dr. Asish Chakraborty
 The Divine Connection of BharatNatyam & Yoga-Nrityachuramoni Rahuldeb Mondal
āĻŦāĻžāĻāϞāĻžāϰ āϏā§āϤā§āϰā§āĻļāĻŋāĻā§āώāĻž : āĻĒāĻžāϝāĻŧā§ āĻĒāĻžāϝāĻŧā§ ā§§ā§ā§Ļ –āĻĄ. āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ
 Vedic Musical String Instruments & Violin-Dr. Dipak Kumar Banerjee
 Features for Style Identification of Hindustani Musicians-Dr. Kaushik Banerjee, Dr. Anirban Patranabis, Dr. Ranjan Sengupta, Dr. Dipak Ghosh
 āϞā§āĻ āϏāĻāĻā§āϤ āϏāĻŽā§āĻĒāϰā§āĻā§ āϰāĻŦā§āύā§āĻĻā§āϰ āĻāĻžāĻŦāύāĻž āĻ āϞā§āĻāϏāĻāĻā§āϤā§āϰ āĻŦāĻŋāώāϝāĻŧ āĻŦāĻŋāĻāĻžāĻāύ–āĻĄ. āĻĒā§āϤā§āϞāĻāĻžāĻāĻĻ āĻšāĻžāϞāĻĻāĻžāϰ
 āϏāϰā§āĻĒāĻĻā§āĻŦā§ āĻŽāύāϏāĻž, āύāĻžāĻāĻžāĻŽā§āĻŽāĻž, āĻŦāĻžāϞāύāĻžāĻāĻžāĻŽā§āĻŽāĻž, āĻŽā§āĻĻāĻžāĻŽāĻž āĻ āĻŽāĻā§āĻāĻžāĻŽā§āĻŽāĻž–āĻļā§āϰ⧠āĻĻā§āĻĒāĻā§āĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ
Modern Concept of Bani and Gharana in Dhrupad Sangitâ BHASWATI SARMA-āĻāĻŦā§āώāĻ, āĻŦāĻŋāĻļā§āĻŦāĻāĻžāϰāϤā§
āĻŦāĻžāĻāĻŋāĻ āĻļāĻŋāϞā§āĻĒā§āϰ āĻāύā§āϝ āϏāϰā§āĻŦāĻžāϧā§āύāĻŋāĻ āĻāĻŖā§āĻ āĻ āύā§āĻļā§āϞāύ āĻĒā§āϰāĻā§āϰāĻŋāϝāĻŧāĻž : āϏāĻžāϧāĻžāϰāĻŖ āϧāĻžāϰāĻŖāĻž āĻ āĻŦāĻŋāĻā§āĻāĻžāύâ āύā§āϰ āύāĻŦā§ āĻŽāĻŋāϰāĻŖ-(āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļ)
āϏāĻāĻā§āϤ āĻļāĻŋāĻā§āώāĻž: āĻā§āϰā§āĻļāĻŋāώā§āϝ āĻĒāϰāĻŽā§āĻĒāϰāĻž āĻĨā§āĻā§ āĻĻā§āϰ āĻļāĻŋāĻā§āώāĻž–āϞā§āĻĒāĻžāĻŽā§āĻĻā§āϰāĻž āĻāĻā§āϰāĻŦāϰā§āϤā§āϤā§
Ustad Inayet Hussain Khan : A Gracious Musician of Bygone Daysâ Bhabani Shankar Dasgupta
Alauddin Khan and his Modern Sarod , Pt. Anindya Banerjee
āϰāĻžāĻĸāĻŧ āĻŦāĻā§āĻā§āϰ āĻāĻžāύ : āĻŦā§āĻļāĻŋāώā§āĻā§āϝ āĻ āĻŦā§āĻāĻŋāϤā§āϰā§āϝ–āĻĄ. āϏā§āĻŽāĻž āĻĻāĻžāϏ āĻŽāĻŖā§āĻĄāϞ
Unnumbered Issue 1 January, 2015
The Artistry of Kolkata Tabla Makers: A Harmonious Blend of Tradition and Craftsmanship-Biswajit Bhattacharjee
āĻŦā§āύā§āĻĻ āĻāĻžāύ⧠āĻŽāĻžāύā§āώ āĻ āϏāĻŽāĻžāĻ-āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞ
āĻāĻžāϰāϤ⧠āĻŦāϝāĻŧāϏā§āĻ āĻļāĻŋāĻā§āώāĻžāϰ āĻāϤāĻŋāĻšāĻžāϏ-āĻļāĻā§āϤāĻŋ āĻŽāĻŖā§āĻĄāϞ
Unnumbered Issue -1 July, 2014
- āĻāϤā§āϤāĻžāϞ āĻļāĻžāĻšāĻŦāĻžāĻ āĻ āĻŽā§āĻā§āϤāĻŋāϰ āĻāĻžāύ – āĻ āϧā§āϝāĻžāĻĒāĻ āĻĻā§āĻŦāĻžāĻļāĻŋāϏ āĻŽāĻŖā§āĻĄāϞāĨ¤ (āĻ āϧā§āϝāĻžāĻĒāĻ āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- āĻĒāĻā§āϝāĻŧāĻž āύāĻžāϰ⧠: āĻĒāĻāĻāĻŋāϤā§āϰ āĻ āĻāĻžāύ – āĻĄāĻ āĻāϝāĻŧāύā§āϤ⧠āĻŽāĻŖā§āĻĄāϞ. (āĻ āϤāĻŋāĻĨāĻŋ āĻ āϧā§āϝāĻžāĻĒāĻ-āϰāĻŦā§āύā§āĻĻā§āϰāĻāĻžāϰāϤ⧠āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ)
- āĻšāϏā§āϤāĻļāĻŋāϞā§āĻĒā§āϰ āĻŦāĻžāĻāĻžāϰ: āĻŦā§āϞāĻĒā§āϰ-āĻŦāĻŋāĻļā§āĻŦāĻāĻŋā§ āĻāĻā§āĻāĻžāĻāĻžāϰā§āϝ
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