Joysree Biswas Ph.D. Scholar, Guided by Dr. Ami Pandya, Dept of Dance, Faculty of Performing Arts, The Maharaja Sayajirao University of Baroda, Vadodara, Gujarat, India. Preface: This article began as a question: How do the threads of Indian performing arts, visual […]
Read More
Jayita Basak SACT, Chandernagore College Abstract Considered one of the major figures of 19th-century French literature, George Sand (Amantine Lucile Aurore Dupin) established herself through a prolific body of work and an uncompromising social commitment. This article examines George Sand’s status as a feminist and proto-feminist writer by analyzing […]
Read More
BRINTALI ACHARYA Research Scholar, Tripura University (A central University ), Tripura Abstract Ethnomusicology is a field that combines several disciplines to study music as part of culture, society, history and human life. It looks not only at the elements of music like melody, rhythm, scale and structure but also at […]
Read More
Dr. K. Rukmani Principal (i/c), Sri Sathguru Sangeetha Vidyalayam, Madurai, drkrukmanisssv@gmail.com, Vidwan ID: 577880 Abstract The 72-Mēḷakarta system occupies a foundational position in the theoretical and practical aspects of Karnāṭak music. Conceived as a systematic classification of parent or janaka rāga-s, the scheme provides an important framework for understanding the organization of svara-sthāna-s […]
Read More
Subrata Pal, Assistant Professor-II Amity University, Kolkata Department of French, Kolkata, India E-mail : subratafrench@gmail.com Contact No-9163852529(what’s app) 9875580567 (call) Co Author- Dr. Rounak Mahtab Assistant Professor Gauhati University, Assam Department of Foreign Languages E-mail:- rounakmahtab@gmail.com Contact No- 9957952382 Abstract:-As a Francophone nation, Mauritius holds a significant place in […]
Read MoreDr. Srabani Sen Associate Professor, Department of Music, Tarakeswar Degree College e-mail-dr.ssen8693 @gmail.com Mobile no- 6290855102 Bamkim Chandra Chattopadhyays song Vande Mataram is widely renowned as a hymn praise of the Motherland. Vande Mataram is a sanaskrit assertion meaning obeisance to the mother or the motherland. It has feel emotionally […]
Read More
Bhabani Shankar Dasgupta Abstract The Gharana system is the basis of stylistic continuity, oral pedagogy and aesthetic diversification in Hindustani classical music. However, in the post-Tansen period and in the 18th and 19th centuries, the gharana framework was a major emergent force that shifted Indian classical music from formal court […]
Read More
Tanmoy Majumder, Assistant Professor, Raja Narendra LalKhan women’s College (Autonomous) and Research Scholar Visva Bharti, Sangeet Bhavan Abstract Thumri is a type of emotion-driven, light classical music from Uttar Pradesh, characterised by its romantic and erotic (shringar) essence. This musical genre is deeply intertwined with the name of Nawab Wajid […]
Read More
Dwaipayan Sarkar, Former Scholar, Department of HCM (Instrumental), Visva-Bharati, Santiniketan Abstract Music is a profound fine art that shares an intrinsic, soul-deep relationship with human existence. As humankind is an integral part of nature, human musical expression fundamentally mirrors the natural world—drawing inspiration from the gurgling of rivers, the flute-like […]
Read More
Subrata Pal, Assistant Professor-II, Amity University, Kolkata, Department of French, Kolkata, India E-mail : subratafrench@gmail.com , Contact Nos: No-9163852529 (WhatsApp), 9875580567 (call) Abstract: Colonisation is a historical phenomenon that took place during the second half of the 19th century. Specifically, regarding French colonisation in Africa, we observe that it occurred […]
Read More