Influence of Philosophical Imitation Theory in Ram Sangeet

Chhayarani Mandal, Assistant Professor, Sangeet Bhawan, Vishwabharati, Shantiniketan, West Bengal Abstract: This study delves into the profound influence of philosophical imitation theory on the traditional Indian musical genre known as Ram Sangeet. Rooted in the ancient philosophy of artistic imitation, this theoretical framework posits that artistic expression can be enhanced through the imitation of universal truths and archetypal concepts. The Read More …

Music  : Creativity and Compilation 

Dr.Sumona Banerjee, Guest Faculty, Department of Music, Sikkim University, Sikkim. India Mobile no. 9734833568, E-mail: sumonabanerjee.music19@gmail.com Abstract :    The ability of artists and producers to express their artistic vision and provide audiences with enthralling musical experiences is made possible by music creativity and compilation, which are fundamental components of the music business. The process of composing and creating original musical content is characterized Read More …

Empowerment of the British in the Practice of Bengali Language and History in the Nineteenth Century

Shatabdi Sadhu Mondal Abstract: This study delves into the multifaceted dynamics of the British presence in Bengal during the nineteenth century, specifically examining their engagement with the Bengali language and history. Focused on the empowerment of the British, the research elucidates the mechanisms through which linguistic and historical knowledge became instruments of influence and control. By scrutinizing the educational, administrative, Read More …

Natyasangeet Srijan: Nazrul’s Contribution to Bengali Drama

Dr. Srabani Sen Abstract: This paper delves into the profound influence and enduring legacy of Kazi Nazrul Islam, the renowned Bengali poet, musician, and revolutionary, in the realm of Bengali drama. Focusing specifically on Natyasangeet, the musical aspect of theatrical performance, the study explores Nazrul’s unique contributions to this art form. Nazrul, often hailed as the “Rebel Poet” of Bengal, Read More …

Shakuntala As Perceived in Mythology and in Drama

Swanupama Sen Gupta Research Scholar, M. Phil Rabindra Bharati University March 15, 2023 Shakuntala was first mentioned in the preface of the Indian Mythology – Mahabharata. This character is still known as the Shakuntala of the Myth. Kalidasa gave this mythical character the entity of a conventional figure through his play – Abhigyanam Shakuntalam. The journey of Shakuntala from being Read More …

Gaudiya Vaishnavism and its Influence on Manipuri Dance

       Abstract: Gaudiya Vaishnavism, a prominent sect within the broader Vaishnavism tradition, originated in the 15th century with the teachings of Chaitanya Mahaprabhu in Bengal, India. This devotional movement has had a profound impact on various aspects of Indian culture, including classical arts and dance forms. One such instance is the influence of Gaudiya Vaishnavism on Manipuri dance, a traditional Read More …

The Songs of Gramophone Record and Durga Puja in Bengal

দেবাশিস মণ্ডল Abstract: The cultural landscape of Bengal is rich with traditions that intertwine music, celebration, and spirituality. This paper delves into the unique intersection of gramophone record songs and the auspicious festival of Durga Puja, two significant facets of Bengal’s cultural heritage. Beginning with an exploration of the historical context, we trace the evolution of gramophone records in Bengal Read More …

Exploring the Influence of Javanese-Balinese Art Forms on Santiniketan Dance Style

Somrita Chakraborty Abstract: This abstract delves into the dynamic interplay between Javanese-Balinese art forms and the distinctive dance style of Santiniketan, India. Rooted in the cultural crosscurrents of the early 20th century, the Santiniketan dance style, spearheaded by the visionary Rabindranath Tagore, was not insulated from external influences. This paper investigates the multifaceted ways in which the rich traditions of Read More …

Rabindra Nritya: Application & Modernity of Instruments 

Dr. Sugata Das, Assistant Professor, Sister Nivedita University In Post Tagore era there was no use of western instruments or even Harmonium in any kind of Tagore’s dance drama till 1960, though Jyotirindranath Tagore and Satyendranath Tagore often used Harmonium in their compositions. But after that by the initiative of Indian and State Governments a lot of auditoriums were built Read More …

An Uncertain Future for the Children of the Brick Factory

Tushar Kanti Paroi Abstract: This study delves into the multifaceted challenges faced by children living in the proximity of brick factories in India, examining the complex interplay of socio-economic factors that shape their uncertain future. The brick industry, a significant contributor to India’s construction boom, has inadvertently become a crucible for child labour, inadequate education, and compromised health standards. The Read More …