Year: 2023

Dr. Soumen Chakraborty, Department Of Music, Ramsaday College, Amta, Howrah, WB, India Abstract: In this work, an attempt has been made to present the way to generate different creative techniques with improvisation using the combination of various compositions in music in a very simplified manner. The procedures for producing the creation and improvisation through the logic of different techniques of various compositions in music have been stated by citing several examples. The basic concepts of creation and improvisation of various compositions including illustration through different techniques and its use in music have been highlighted with various examples. It is expected that this work may certainly help the researchers working in this arena to use the innovation of different patterns of techniques for the creation and improvisation of music in practice. Keywords: Different Techniques, Creation, Improvisation Introduction: Different techniques are considered to be an element of grammar, which persists in various compositions. The logic of internal different creative Read More …

Dr. Mali Mitra. Asst. Prof. In Music. Memari College. Memari. Burdwan. Abstract:Rabindranath a poet of the world. He is the Eternal Creator. Rabindranath Tagore is one such creator,through whose creation we constantly reach in another dimension. Even in today’sage, he is the immortal creator. A small portion of the vast range of hiscontemporary art and literature has been discussed within limitations. That is –transition from poetry created by the poet to song. There are many poems whichhe composed as a poet. Later he expressed poetry through music. Through thiswriting, on one hand, his literature and art are highlighted and on the other hand,through discussion, I will talk about reaching songs from some of Tagore’s poems.Word Index: Poet, Rabindranath, Poetry, Song, Literature, Art etc. তবু মনে রেখো   ডঃ মলি মিত্র, সংগীত বিভাগ, মেমারি কলেজ, মেমারি, পূর্ব বর্ধমান                                                                              কালজয়ী স্রষ্টা রবীন্দ্রনাথ । নতুন সৃষ্টির সঙ্গে সঙ্গে এলো তাদের বিচিত্র বিকাশের দিক বা পালা। এক একটি Read More …

Dr. Paramita Chatterjee Abstract: This abstract explores the profound impact of music on the broadcast media landscape in India, specifically focusing on radio and television. Music has been an integral part of Indian culture for centuries, and its seamless integration into the electronic media has contributed significantly to the cultural fabric of the nation. This study investigates how music serves as a powerful tool in shaping the auditory and visual experiences of audiences across diverse regions and demographics. The research delves into the historical evolution of music on radio and television in India, highlighting key milestones and innovations that have shaped the landscape. It also examines the role of music in fostering a sense of cultural identity and national unity, as various forms of traditional and contemporary music are broadcast to a vast and diverse audience. Furthermore, the study explores the symbiotic relationship between music, storytelling, and visual content on television, emphasizing how music enhances Read More …

Dr. Iti Pal Abstract: Dynamics Between Music Directors and Artists: A Study on the Incorporation of Folk Music in Bengali Films Abstract: This research delves into the intricate relationship between music directors and artists in the context of Bengali cinema, with a specific focus on the utilization of folk music. Bengali films have a rich tradition of incorporating folk elements into their soundtracks, contributing to the cultural tapestry of the region. Through a comprehensive analysis of interviews, case studies, and musical compositions, this study aims to unravel the collaborative processes and creative negotiations that occur between music directors and artists in bringing folk music to the cinematic realm. By shedding light on the dynamics of this collaboration, the research seeks to provide insights into how cultural heritage is preserved, transformed, and reinterpreted through the medium of film music in the Bengali context. বাংলা চলচ্চিত্রে লোকসংগীত ব্যবহারের ক্ষেত্রে সংগীত পরিচালক ও সংগীত শিল্পীদের সম্পর্ক, ডঃ ইতি Read More …

Tumpa Samaddar Abstract: This exploration delves into the vibrant world of Kazi Nazrul Islam’s compositions within the realm of Bengali folk songs. Nazrul, often referred to as the “Rebel Poet,” demonstrated a profound ability to encapsulate the spirit of Bengali folk traditions in his musical creations. This study aims to unravel the intricate tapestry of his work, highlighting the fusion of poetic expression and folk melodies that characterize Nazrul’s unique contribution to the rich cultural heritage of Bengal. Through an analysis of select compositions, we uncover the socio-cultural contexts that inspired Nazrul to infuse his verses with the essence of rural life, weaving a symphony that resonates with the soulful tunes of Bengal’s folk music. Join us on this harmonious journey as we unravel the timeless allure of Nazrul’s folk-infused creations, celebrating the convergence of poetry and tradition in the Rebel Poet’s musical legacy. বাংলা লোকগীতির ধারায় নজরুল, টুম্পা সমদ্দার, সহযোগী অধ্যাপক, সংগীত বিভাগ, ঢাকা Read More …

Ankhi Roy, Assistant Professor, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Sangeet, the musical legacy crafted by the legendary poet Rabindranath Tagore, holds a unique place in the cultural tapestry of Bengal and beyond. This musical genre encompasses a rich fusion of poetic verses, soul-stirring melodies, and intricate rhythms. The artists who choose to delve into the realm of Rabindra Sangeet inherit not only a musical tradition but also the responsibility of preserving and enriching this cultural heritage. This paper aims to explore the multifaceted role and responsibilities of Rabindra Sangeet artists in the contemporary context. It delves into the historical significance of Rabindra Sangeet, its evolution, and the distinctive features that set it apart. Moreover, it sheds light on the intricate nuances of rendering Tagore’s compositions and the challenges faced by artists in maintaining authenticity while infusing a modern touch. The responsibilities of Rabindra Sangeet artists extend beyond mere musical performance. They Read More …

-Sanchita Bhowmick, (M.phil scholar, Rabindra Sangeet Department) Abstract : Rabindra Sangeet is a miraculous wonder that touches all the joys and pains of life. In hisearly life, Rabindranath, in an essay entitled ‘Sangeet O Bhav’, almost unconsciouslyexpressed the important role of his music creation. The words ‘Sangeet’ and ‘Geet’ are usedmany times in his early creations, such as ‘Sandhya Sangeet’, ‘Prabhat Sangeet’, and again inthe poem ‘Hridaye Geetdhwani’. On the other hand, Gitikavya and Kavyagiti of Rabindranathbecame both the wings of melody. Rabindranath easily turned poetry into songs and madesongs suitable for easy reading as poetry. He has combined the rhythm of the poetry and thelanguage of music. The musical inspiration of Rabindranath’s lyric poetry, ‘Kavyagiti’, hasmade it possible to bridge between his poetic language and lyrical melody. The combinationof rhyme-melody-rhythm-words also brings his life to the extreme height of the light, somany of these became ‘Param Bramha’. Also, his poems have become songs, and Read More …

-Arunavo Roy Abstract : Rabindranath, as a poet, independently composed songs and set them to music. Rabindranathrelentlessly composed songs in parallel lines of poetry like love, nature, worship, homeland,etc. In melodious poetry, he has also applied the variety of the poem while maintaining thesense of the poetic image. In addition to this, Rabindranath’s dramatic literature is prolific,and almost from the early stages of his life, the poet has used music sparingly to mellow thedrama. In fact, music played a prominent role in all categories of his plays: dramas, socialdrama, and full-length drama. Also, the music in drama was not only applied merely forentertainment but for the deeper needs of poetry. For example, in the play ‘Raktakarvi’ (1926)‘Tomay Gan Shonabo’… in the voice of Bishu Pagal.Also, the skill and modernity of his novels are refined in the readability of the reader.Novelist Rabindranath and short-story writer Rabindranath are often side by side, so closethat ‘Nasthanir’ is a Read More …

ড. চন্দন কুমার রায়, অতিথি শিক্ষক, যন্ত্রসংগীত বিভাগ, রবীন্দ্রভারতী বিশ্ববিদ্যালয় ‘হেমন্ত মুখো পাধ্যায়‘–এই নামটি শুধুমাত্র একজন সংগীত শিল্পী-র নয়, একজন সংগীত পরিচালকের নয়, একজন বিশিষ্ট সূরকারের নয়, —এটি একটি প্রতিষ্ঠানের নাম। হেমন্ত মুখো পাধ্যায় একজন কণ্ঠসংগীত শিল্পী, এই প্রসঙ্গে যদি আলোচনা হয়, তবে আলোচনার শেষ হয় না। তাঁর কন্ঠই ছিল মনে আবেশ ধরানোর একটা বিষয়। তারপর তাঁর সাংগীতিক ভাব প্রকাশ, সংগীতের নান্দনিকতা–এগুলি বহু আলোচ্য বিষয়। কণ্ঠ-সংগীত শিল্পী হিসাবে এক কিংবদন্তী, এ বিষয়ে কারো কোনো সন্দেহ আছে বলে মনে হয় না। এরপর আসি একজন সংগীত পরিচালক ও সুরকারের কথায়। এখানেও হেমন্ত মুখোপাধ্যায় যেন একটি বিশেষ দর্শন। তাঁর সুরে অসংখ্য গান চিরন্তন হয়ে আছে। শুধু বাংলাতেই নয়, তৎকালীন বোম্বাই শহরে পৌঁছে তিনি গায়ক ও সংগীতকার হিসাবে একটা দাগ রেখে গেছেন। যদিও তিনি বোম্বাইতে বেশি কাজ করেন নি, বাংলাতেই তিনি ফিরেছিলেন এবং আরও নতুন নতুন সংগীত সম্ভারে ভরিয়ে দিয়েছিলেন শ্রোতার মন। হেমস্ত মুখোেপাধ্যায় এমন একটা যুগে অবতীর্ণ হয়েছিলেন, যে সময়ে সংগীত ছিল গায়ক-বাদক-নর্তকদের কাছে একটা সাধনা, গীতিকারের সাধনা, Read More …