Dr. Sugata Das, Assistant Professor, Sister Nivedita University In Post Tagore era there was no use of western instruments or even Harmonium in any kind of Tagore’s dance drama till 1960, though Jyotirindranath Tagore and Satyendranath Tagore often used Harmonium in their compositions. But after that by the initiative of Indian and State Governments a […]

Tushar Kanti Paroi Abstract: This study delves into the multifaceted challenges faced by children living in the proximity of brick factories in India, examining the complex interplay of socio-economic factors that shape their uncertain future. The brick industry, a significant contributor to India’s construction boom, has inadvertently become a crucible for child labour, inadequate education,

Pratyusha Roy Abstract: This analytical survey delves into the enduring legacy of Begum Akhtarji, the legendary Indian classical vocalist, focusing specifically on her timeless renditions of Bengali Raga Pradhan songs. Begum Akhtar’s profound mastery of classical music, combined with her emotive and soul-stirring renditions, has left an indelible mark on the cultural tapestry of India.

Dr. Nandita Basu Sarbadhikari Abstract: This abstract explores the pivotal role that mass media plays in fostering national unity through the powerful medium of music. In an era marked by cultural diversity and globalization, the ability of mass media to transcend geographical and cultural boundaries is unparalleled. This paper delves into how music, disseminated through

Subhraparna Biswas Abstract: Rabindra Sangeet, the musical legacy created by the polymath Rabindranath Tagore, stands as a profound expression of the poet’s deep connection with nature. This abstract delves into the intricate relationship between Rabindra Sangeet and the natural world, unravelling how the songs capture the essence of nature and its myriad facets. Rabindranath Tagore,

Dr. Durba Singha Roy Choudhury Abstract: This research explores the profound influence of Rabindra Sangeet’s melodies and instrumental music on the evolution and development of Hindi film music. The abstract highlights Rabindranath Tagore’s unique approach to music composition, wherein he integrated tunes from diverse sources worldwide into his own distinctive creations. The musical environment at

Aindrila Dutta Chowdhury, Ph.D. Research Scholar, Department of Music, University of Delhi Abstract The worshipping of the snake goddess Manasa has been quite popular in Bengal, mostly in the rural parts. Throughout the year, especially in the rainy season, one can find several ritualistic as well as non-ritualistic performances related to the folk deity are

Dr. Pratiti Pramanik DeGobardanga Hindu CollegeMusic Dept. Abstract :Film is a young and modern industry.  This opened up a huge field of interesting possibilities for new composers.  The use of music started from the first stage of film exhibition (1885). It acts as a huge weapon in the film apart from connecting the music as

Kushni Soren Abstract: Rabindra Sangeet, the musical oeuvre of the renowned poet Rabindranath Tagore, holds a unique and cherished place in the cultural heritage of Bengal and beyond. This paper explores the intricate challenges encountered in the music direction and arrangement of Rabindra Sangeet, shedding light on the complexities faced by contemporary musicians in interpreting

Dr. Asima Jana Maity Abstract: As the digital era transforms the music industry, the issue of music accessibility emerges as a critical concern. This paper delves into the multifaceted dimensions of accessibility, exploring how various barriers, such as economic constraints, technological disparities, and disabilities, hinder individuals’ ability to engage with and enjoy music. We examine