ANIK DAS   SACT, DEPARTMENT OF JOURNALISM & MASS COMMUNICATION  GOBARDANGA HINDU COLLEGE  Mob- 8013882387, Email:-anikdas341@gmail.com ABSTRACT:- The rural areas of West Bengal seem to be rich in different traditional practices. We cannot find it in cities. Ingredients like broken clay pots, ragged clothes, fruit seeds etc. are used as different […]

Chhayarani Mandal, Assistant Professor, Sangeet Bhawan, Vishwabharati, Shantiniketan, West Bengal Abstract: This study delves into the profound influence of philosophical imitation theory on the traditional Indian musical genre known as Ram Sangeet. Rooted in the ancient philosophy of artistic imitation, this theoretical framework posits that artistic expression can be enhanced […]

Dr.Sumona Banerjee, Guest Faculty, Department of Music, Sikkim University, Sikkim. India Mobile no. 9734833568, E-mail: sumonabanerjee.music19@gmail.com Abstract :    The ability of artists and producers to express their artistic vision and provide audiences with enthralling musical experiences is made possible by music creativity and compilation, which are fundamental components of the music business. The […]

Shatabdi Sadhu Mondal Abstract: This study delves into the multifaceted dynamics of the British presence in Bengal during the nineteenth century, specifically examining their engagement with the Bengali language and history. Focused on the empowerment of the British, the research elucidates the mechanisms through which linguistic and historical knowledge became […]

Dr. Srabani Sen Abstract: This paper delves into the profound influence and enduring legacy of Kazi Nazrul Islam, the renowned Bengali poet, musician, and revolutionary, in the realm of Bengali drama. Focusing specifically on Natyasangeet, the musical aspect of theatrical performance, the study explores Nazrul’s unique contributions to this art […]

Swanupama Sen Gupta Research Scholar, M. Phil Rabindra Bharati University March 15, 2023 Shakuntala was first mentioned in the preface of the Indian Mythology – Mahabharata. This character is still known as the Shakuntala of the Myth. Kalidasa gave this mythical character the entity of a conventional figure through his […]

       Abstract: Gaudiya Vaishnavism, a prominent sect within the broader Vaishnavism tradition, originated in the 15th century with the teachings of Chaitanya Mahaprabhu in Bengal, India. This devotional movement has had a profound impact on various aspects of Indian culture, including classical arts and dance forms. One such instance is […]

দেবাশিস মণ্ডল Abstract: The cultural landscape of Bengal is rich with traditions that intertwine music, celebration, and spirituality. This paper delves into the unique intersection of gramophone record songs and the auspicious festival of Durga Puja, two significant facets of Bengal’s cultural heritage. Beginning with an exploration of the historical […]

Somrita Chakraborty Abstract: This abstract delves into the dynamic interplay between Javanese-Balinese art forms and the distinctive dance style of Santiniketan, India. Rooted in the cultural crosscurrents of the early 20th century, the Santiniketan dance style, spearheaded by the visionary Rabindranath Tagore, was not insulated from external influences. This paper […]

Dr. Sugata Das, Assistant Professor, Sister Nivedita University In Post Tagore era there was no use of western instruments or even Harmonium in any kind of Tagore’s dance drama till 1960, though Jyotirindranath Tagore and Satyendranath Tagore often used Harmonium in their compositions. But after that by the initiative of […]