Author: LOKOGANDHAR ISSN : 2582-2705

ANIK  DAS SACT, GOBARDANGA HINDU COLLEGE DEPARTMENT OF JOURNALISM & MASS COMMUNICATION.                                           ABSTRACT :- Social media like Facebook, Twitter, WhatsApp, Instagram etc are very popular among people of all ages. Its popularity is growing day by day. In the days of lockdown people got so much used to scrolling the wall of social media. Those media feed their mental needs and emotions. The theory of  “Uses and Gratification”  by Elihu Katz and Jay Blumler in 1974 says that this theory is an audience centered approach to understanding mass communication. It answers different types of questions like why do people use media?  or what do they use them for?  This paper shows how this theory is related to explaining the use of social media by people. Moreover, what type of satisfaction the users get from social media, how effective mediated culture is in providing instant gratification, why people are getting more inclined to using social media Read More …

Dr. Amartya Mukhopadhyay, Sangeet Bhawan, Visva-Bharati শাপমোচন : রবীন্দ্রনাট্য প্রয়োগে অভিশপ্ত নাট্যপাঠের মর্মকথা Abstract This abstract delves into the profound exploration of curse-driven narratives within the realm of Rabindranath Tagore’s dramatic literature, particularly focusing on the concept of “Shapmochan” or “Curse-Liberation.” Rabindranath Tagore, the Nobel laureate poet, playwright, and philosopher, has left an indelible mark on the cultural landscape of India and beyond, with his insightful portrayal of human emotions, societal complexities, and spiritual quests. The essence of cursed drama in Tagore’s works is a nuanced exploration of the intricate interplay between fate, human agency, and redemption. Through a close examination of select plays such as “Raktakarabi” (Red Oleanders) and “Tasher Desh” (The Land of Cards), this abstract elucidates how Tagore employs the motif of curses to unravel the depths of human consciousness, moral dilemmas, and the quest for liberation. Drawing upon literary analysis and cultural contextualization, this abstract aims to elucidate how Tagore’s treatment Read More …

ড.শ্রাবণী সেন, আ্যসোসিয়েট প্রফেসর,সঙ্গীত বিভাগ,তারকেশ্বর ডিগ্রি কলেজ,তারকেশ্বর,হুগলী Music in Secular Rituals and Festivals of Bengal Rituals and traditions play a vital role in cultural preservation. Festivals provide a platform for the transmission of cultural values, rituals and traditions from one generation to the next. They also provide a sense of identity and belonging for individuals and communities. Through participation, observation and storytelling, younger generations learn about their cultural heritage. Traditional heritage plays a significant role in shaping the cultural identity of a community or society. Folk music is an indispensable part of functions such as childbirth, weeding etc. In the rural parts of the country, there are a number of songs associated with agricultural activities like planting and harvesting. Cultural heritage represents the values, beliefs, customs and traditions of a particular group of people and helps them to connect with their roots and heritage. সাংস্কৃতিক নৃবিজ্ঞান, সমাজবিদ্যা ও লোকসংস্কৃতির আলোচনায় লোকসমাজ ও লোকমানসের প্রসঙ্গ ঘুরে-ফিরে Read More …

Subhadip Das Designation: UGC NET SRF, Dept. of Hindustani Classical Music, Sangit Bhavana, Visva-Bharati, Santiniketan, West Bengal Abstract The article titled “Deciphering Melodic Alchemy: A Comparative Study of Melody and Improvisation in Indian Classical and Jazz Fusion” explores the complex dynamics that exist within the fusion of Jazz and Indian classical music. This work delves into the convergence and merging of these two distinct musical traditions, which have their own historical origins and developmental paths. The result is an innovative aesthetic form. Commencing with an analysis of the inherently transformative quality that permeates every facet of being, the article proceeds to trace the development of fusion music, elucidating its origins in the amalgamation of varied cultural influences made possible by contemporary globalization. By conducting a thorough examination of melodic concepts in Jazz and Indian music, this article illuminates the underlying principles that govern the respective traditions’ approaches to melody, with particular emphasis on the pivotal Read More …

Mr. Sunil Mahanand, Assistant Professor Department Of Performing Art, KISS, Deemed to be University, Bhubaneswar, Odisha Abstract: This paper presents a comprehensive classification of folk music instruments in Western Odisha, India, based on the principles outlined in the ancient Indian text Natya Shastra. Folk music plays a significant role in the cultural fabric of Odisha, with a diverse array of traditional instruments enriching its musical landscape. Drawing upon the principles of Natya Shastra, which provides a foundational framework for performing arts, this classification aims to elucidate the typology and categorization of these instruments. The classification considers various aspects outlined in Natya Shastra, including the nature of sound production, material composition, and performance techniques. Instruments are categorized based on their classification as Tantu Vadya (string instruments), Sushira Vadya (wind instruments), and Avanaddha Vadya (percussion instruments), as per the Natya Shastra’s taxonomy. Furthermore, the paper examines the cultural significance and regional variations of these instruments within Western Read More …

Mr. Sunil Mahanand, Assistant Professor Department Of Performing Art, KISS, Deemed to be University,Bhubaneswar, Odisha Abstract: This paper presents a comprehensive classification of folk music instruments in Western Odisha, India, based on the principles outlined in the ancient Indian text Natya Shastra. Folk music plays a significant role in the cultural fabric of Odisha, with a diverse array of traditional instruments enriching its musical landscape. Drawing upon the principles of Natya Shastra, which provides a foundational framework for performing arts, this classification aims to elucidate the typology and categorization of these instruments. The classification considers various aspects outlined in Natya Shastra, including the nature of sound production, material composition, and performance techniques. Instruments are categorized based on their classification as Tantu Vadya (string instruments), Sushira Vadya (wind instruments), and Avanaddha Vadya (percussion instruments), as per the Natya Shastra’s taxonomy. Furthermore, the paper examines the cultural significance and regional variations of these instruments within Western Odisha, Read More …

THE EXTINCT CULTURE OF RARH BENGAL’S KATHI NACHER GAAN Abstract: The practice of Bengal history in India is quite ancient. `Rarh’ region is a toponym for an area in the Indian subcontinent that lies between the Chota Nagpur Plateau on the West and the Ganges Delta on the East. Looking at the history of Indian music, North Indian music has a significant place, even           `Rarh’ Bangla music has a remarkable place in India. The song of `Kathi Nach’ is the degenerated form of `Rarh Bangla’. When Rarh Bengal was ruled by the feudal lords during that time this stick dance was performed by the pike community with pleasure. They used to perform Kathi Nach on the occasion of any puja. Now a days ,These songs and dance is almost extinct. The song that accompanies with the` Stick Dance’ or `Kathi Nach’ is called` Kathi Nacher gaan’. When the Kathi Nach is performed with Jhumur song Read More …

Dr. Rinki Mahato, Assistant Professor, Department of Performing Arts, Kiss Deemed to be University, Bhubaneswar & Mr. Sunil Mahanand, Assistant Professor, Department of Performing Arts, Kiss Deemed to be University, Bhubaneswar Abstract: “The Cultural Tapestry: Exploring Religion and Identity in Manipuri Dance” delves into the intricate interplay of religion and identity within the traditional art form of Manipuri dance. This abstract examines how Manipuri dance serves as a reflection of the rich cultural heritage and spiritual beliefs of the Manipuri people, particularly about Hinduism and Vaishnavism. Through an exploration of key themes, symbols, and rituals depicted in Manipuri dance performances, this study illuminates the nuanced ways in which religion shapes the identity and artistic expression of practitioners. By analysing the historical and contemporary significance of Manipuri dance, this abstract underscores its role as a dynamic cultural phenomenon that continues to evolve amidst changing socio-religious landscapes. Title: The Cultural Tapestry: Exploring Religion and Identity in Manipuri Read More …

Dr. Sukanya Sarkar Abstract Ajantrik is a film of Ritwik Ghatak based on a short story by Subodh Ghosh. It was released in 1958. The film revolves around the life of a driver Bimal who lives in the Chhotonagpur region. The narrative focuses on the relationship of Bimal with his old car Chevrolet Jalopy of 1920. The film vividly depicts the landscape of the plateau area of Hazaribagh, the folk culture, and rituals of the Jharkhand region. The music of the film is composed by Ali Akbar Khan. Like Ghatak’s other films, Ajantrik is also enriched with natural sound effects of machinery, folk musical instruments and a few pieces of folk songs along with folk dance form by the original inhabitants of the Chhotonagpur region. Ali Akbar Khan wonderfully designed the musical pieces which match with another soundtrack. The subject of the film is very interesting as it deals with an inconsistency of human nature. Read More …

Dr. Srabani Sen, Associate Professor, Tarakeswar Degree College Bhakti is a Sanskrit word that means ‘devotion’. The Bhakti movement was a medieval Indian religious and social reform movement that emphasized devotion and spiritual connection with the divine. It aimed to reform society by removing the boundaries of caste, creed and gender between the devotee and God. The Bhakti movement was started with the idea that the best way to reach God is not via rituals or religious rites but through love and worship. The movement was based on religious equality and broad-based social participation. ভক্তি আন্দোলনের ধারা, ড.শ্রাবণীসেন, আ্যসোসিয়েট প্রফেসর,সঙ্গীত বিভাগ,তারকেশ্বর ডিগ্রি কলেজ,তারকেশ্বর,হুগলী ভারতীয় জীবনধারার সাথে ধর্মের সংযোগ অবিচ্ছেদ্য। ভারতের সুলতানি যুগে হিন্দু ধর্মের যাগযজ্ঞ, ধর্মীয় আরম্বর, সমাজের অস্পৃশ্যতা ও জাতিভেদ প্রথার বিরুদ্ধে যে উদার ধর্মীয় আন্দোলন গড়ে উঠেছিল তা ‘ভক্তিবাদী আন্দোলন’ নামে পরিচিত। সময়ের অগ্রগতির সঙ্গে সঙ্গে ভারতের সমাজব্যবস্থায় যে রূপান্তর ঘটেছে, তার মূলে আছে ধর্মভাবনার পরিবর্তন। বৈদিক ব্রাহ্মণ্যধর্মের বিরুদ্ধ প্রতিক্রিয়া স্বরূপ জন্ম নিয়েছে Read More …