ISSN : 2582-2705 International Peer-Reviewed Journal on Modern Research. Impact Factor 3.57
Anindya Banerjee Abstract: This study delves into the captivating world of Indian Ghazal, a poetic and musical genre that transcends boundaries, resonating with the deepest sentiments of the human soul. Focusing on the iconic figure of Begum Akhtar, a legendary Ghazal singer whose artistry left an indelible mark on the […]
Read MoreSAYANTIKA GHOSH, PhD Research Scholar, RBU, SACT, Gobardanga Hindu College “The history of men’s opposition to women’s emancipation is more interesting perhaps than the story of that emancipation itself.” Virginia Woolf- Introduction Women of the nation are considered to be the backbone of every society. The introduction of actresses […]
Read MoreAritri Majumder, SACT,Department of Music, Gobardanga Hindu College, Ph.D. Research Scholar, University of Calcutta Tradition, the word which carries out many things in one boat. Culture and tradition are interdependent where tradition is a boat and culture plays the role of a sail. Kolkata, the city of joy, borrows its cultural […]
Read MoreDr. Srabani Sen Abstract: Rabindranath Tagore, a multifaceted literary luminary, delved into the intricate dynamics of human relationships and societal structures in his plays. This study focuses on the thematic interplay of bonding and emancipation within Tagore’s theatrical works. Tagore, a Nobel laureate poet and playwright, weaves narratives that portray […]
Read MoreDr. Gagandeep, Assistant Professor, Department of Drama. Rabindra Bharati University, Kolkata Abstract In Indian theatre, Scenography may be new as a term; but surely not as a concept. The centrality of light and sound in a theatre performance has always been accepted but the unified approach has often been avoided. […]
Read Moreডঃ শ্যামা প্রসাদ মন্ডল মানবসভ্যতার আদি কাল থেকে ভারতীয় সমাজ শ্রেনী, বর্ণ ও কৌমে বিভক্ত ছিল। তাই তাদের ধর্মবিশ্বাস ও সংস্কারও বিভিন্নরুপে বর্তমান। তবে সময়ের দীঘ্য যাত্রাপথে বিভিন্ন ধর্মবিশ্বাস ও সংস্কারের জনগোষ্ঠী পারস্পারিক মিলন ও বিরোধের মধ্য দিয়ে সমন্বয়ের পথে অগ্রসর হয়। হিন্দুধর্ম প্রভাবিত ভারতবর্ষে যে ধর্মসাধনা তা আর্য এবং […]
Read Moreড.শ্রাবণী সেন সঙ্গীতের দুটি অংশ – ভাব ও রূপ অর্থাৎ বাণী ও সুর। বলা যায় সেই বাণী ও সুরের সমানুপাত থেকে শুদ্ধসঙ্গীতের সৃষ্টি। বাণী ও সুরের সমানুপাতের সঙ্গে মিশে থাকে তাল ও লয় এবং গায়কের নিজস্ব ঢঙ। গায়কের যথেচ্ছ সুরবিহারের ফলে গানের ভাব তথা বাণী তার আপন ভাবরসের মহিমা হারাতে […]
Read MoreSayantika Ghosh, SACT, Gobardanga Hindu College, Ph.D. Research Scholar, RBU. “ New Technology is not good or evil in and of itself. It’s all about how people choose to use it ”1 – David Wong The term ‘ICT’ denotes ‘Information Communication Technologies’. Accessing of information through telecommunication is the technology […]
Read MoreMou Chakraborty Abstract: This study delves into the remarkable contributions of actresses Chitra Sen and Seema Mukhopadhyay within the vibrant milieu of Group Theater, with a specific focus on their roles in the play “Jalchabi.” The Group Theater movement in India, particularly in Bengal, played a pivotal role in shaping […]
Read MoreDr. Pratiti Pramanik De Abstract In art creation, be it literature or music, its main form is aesthetics. The important aspect of this aesthetics is expression. The expressed form is not always acceptable to the viewer or listener in exactly the same perception with which the artist has created his […]
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