Rabindra Sangeet Performance: A Synthesis of Artistry, Evolution, and Instruction
Dr. Mousumi Pal Abstract: This article delves into the intricate dynamics of Rabindra Sangeet’s performances, unravelling the nuanced relationship between the singer, the song, and the evolving tastes of the audience. The study contends that the singer often eclipses the song itself, as exemplified by the resounding applause that accompanies the announcement of a renowned artist versus the subdued reception for lesser-known performers. The focus shifts from the song’s grammar to the singer’s prowess, encompassing aspects such as voice, melody, rhythm, pronunciation, expression, and music selection. The text examines Rabindranath Tagore’s vision of transcending individual artistry to reach the court of Sruti, where the performance becomes a celebration of the Creator’s creation while preserving the artist’s unique identity. This concept is explored through Tagore’s praise for specific singers during his lifetime and the recordings of his voice, as well as those of Dinendranath Tagore and contemporaneous artists. The inevitable evolution of Rabindra Sangeet’s performance is Read More …