Indigenous Art & Culture

Dr. Moushumi Pal, Assistant Professor, Purnidevi Chowdhury Girls College, Bolpur, Birbhum Abstract: The abstract highlights the extensive discussions and revisions regarding the intertwined nature of literature and music in the works of Rabindranath Tagore. The focus is on the significance of music in Tagore’s plays, stories, and poems, with an emphasis on the close relationship […]

Dr. Sudipendranath Chatterjee, Guest Lecturer, Department of Instrumental Music, Rabindra Bharati University Abstract: This study delves into the intricate relationship between composition and instrumentation in music, exploring the dynamic interplay of tradition and modernity. Through a comprehensive examination of historical precedents and contemporary innovations, we unravel the evolving landscape of musical creation and the diverse

Pallavi Chatterjee, Research Scholar, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Nrityanatyam, a unique dance form inspired by the poetic and musical genius of Rabindranath Tagore, represents a harmonious blend of rhythm, melody, and expressive movements. This abstract explores the rich variations of rhythm and the intricate rhythmic patterns inherent in the songs

Dr. Lopamudra Chakraborty Abstract: The landscape of music creation has undergone a profound transformation with the advent of technology, impacting the evolution, and availability, and posing new challenges to the realm of sound in music. This abstract explores the dynamic interplay between technology and music, focusing on how advancements have shaped the production, distribution, and

Anumita Sengupta, Ph.D. Scholar, Instrumental Music Department, Rabindra Bharati University The internet continues to revolutionize just about everything we do—including within the music industry. Social media platforms are the new way for artists to develop and connect with their fanbases. Over the years, we have seen artists utilize platforms like Twitter, Instagram, TikTok Youtube, and

Swapan Chatterjee Abstract: The use of instrumentation in film background music has undergone a fascinating evolution over the years, shaping the emotional landscape of cinematic storytelling. This abstract delves into the historical progression and contemporary methods involved in crafting film scores, shedding light on the intricate process of selecting and orchestrating instruments to enhance narrative

Priyanka Bhattacharya “Parisodh” and “Shyama” are two distinct dramatic compositions that showcase the poetic intentions of their creators through the expressive mediums of song and dance. In both instances, the core theme revolves around the profound concept of transformation, emphasizing the multifaceted nature of human existence. In the context of “Parisodh,” the drama unfolds through

Subhadip Das, UGC NET Senior Research Fellow, Department of Hindustani Classical Music – [Sitar], Sangit Bhavana, Visva-Bharati, Santiniketan, E-mail: sitarsubhadip@gmail.com, Contact Number: 9088234120 Abstract This research article examines the effect of electronic media on Hindustani classical instrumental music, one of the most important musical genres in India. This article examines different facets of the usage

Mohammed Shoeb Abstract: The importance of study in Western music performance has long established this music as a written text. Its applications in the form of notation or staff notation are numerous. Also since this music is a collective effort, this notation system is essential for preserving the musical heritage of many artists together. As

Gitanjali Ghosh Abstract: Rabindranath Tagore, a multifaceted luminary in the realm of literature, music, and education, crafted a profound legacy that continues to shape cultural landscapes. This abstract delves into the intricate connection between Tagore’s songs and the development of children’s minds. Tagore, the Nobel laureate poet, musician, and philosopher, had a unique ability to