Year: 2023

Pallabi Chatterjee, Research Scholar, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Nrityanatyam, a unique dance form inspired by the poetic and musical genius of Rabindranath Tagore, represents a harmonious blend of rhythm, melody, and expressive movements. This abstract explores the rich variations of rhythm and the intricate rhythmic patterns inherent in the songs choreographed for Rabindra Nrityanatyam’s performances. The study delves into the historical and cultural context of Rabindra Nrityanatyam, tracing its roots to Tagore’s vision of a holistic performing arts tradition. A detailed analysis of rhythmic elements within the dance form reveals the nuanced interplay between beats, tala (rhythmic cycles), and laya (tempo). The repertoire of Rabindra Nrityanatyam incorporates a diverse range of musical compositions, each contributing to the mosaic of rhythmic diversity. The abstract dissects specific compositions, emphasizing the incorporation of intricate rhythmic patterns that challenge the dancer’s skill and creativity. The discussion includes the role Read More …

Dr. Lopamudra Chakraborty Abstract: The landscape of music creation has undergone a profound transformation with the advent of technology, impacting the evolution, and availability, and posing new challenges to the realm of sound in music. This abstract explores the dynamic interplay between technology and music, focusing on how advancements have shaped the production, distribution, and consumption of sound in modern music. Evolution: The evolution of sound in technologically generated music traces its roots from the early synthesizers and electronic instruments of the mid-20th century to the sophisticated digital audio workstations (DAWs) and artificial intelligence (AI) algorithms of today. As technology has progressed, musicians and producers have gained unprecedented control over sound manipulation, enabling the creation of intricate compositions that were once unimaginable. This evolution has democratized music production, allowing artists with varying levels of expertise to experiment with novel sounds and genres. Availability: The widespread accessibility of technology has democratized Read More …

Priyanka Bhattacharya “Parisodh” and “Shyama” are two distinct dramatic compositions that showcase the poetic intentions of their creators through the expressive mediums of song and dance. In both instances, the core theme revolves around the profound concept of transformation, emphasizing the multifaceted nature of human existence. In the context of “Parisodh,” the drama unfolds through a compelling interplay of music and narrative, with a central focus on the poet’s intentions. The use of songs within the drama serves as a powerful tool to convey the emotional depth and complexity of the characters’ journey towards transformation. Through the medium of song, the characters in “Parisodh” engage in a duel, not just physically but also ideologically, as they grapple with inner conflicts and external challenges. The abstract nature of the drama allows the audience to delve into the nuances of the characters’ struggles, reflecting the poet’s intention to explore the transformative power Read More …

Swapan Chatterjee Abstract: The use of instrumentation in film background music has undergone a fascinating evolution over the years, shaping the emotional landscape of cinematic storytelling. This abstract delves into the historical progression and contemporary methods involved in crafting film scores, shedding light on the intricate process of selecting and orchestrating instruments to enhance narrative impact. The evolution of film music instrumentation can be traced from the early days of silent cinema, where live pianists and orchestras accompanied the visual narratives. Advancements in technology, including the advent of sound in film, paved the way for innovative approaches to instrumentation. The incorporation of electronic elements in the mid-20th century expanded the sonic palette, offering composers unprecedented creative possibilities. Today, film composers employ a diverse range of instruments, both traditional and electronic, to achieve a desired emotional resonance with the audience. This abstract explores the collaborative nature of film scoring, emphasizing the Read More …

Anumita Sengupta, Ph.D. Scholar, Instrumental Music Department, Rabindra Bharati University The internet continues to revolutionize just about everything we do—including within the music industry. Social media platforms are the new way for artists to develop and connect with their fanbases. Over the years, we have seen artists utilize platforms like Twitter, Instagram, TikTok Youtube, and Facebook to generate movement in their careers. Social media continues to give musicians the opportunities they previously could only have through record companies. The Industry Has Changed Musicians need to understand that the music industry has changed. In the past, musicians would need to do things like record demos and distribute them to fans. They needed to bargain for the time in the studio. If there were live shows at local venues—acts would need to find any opportunity to play. All of these efforts were in the hopes that enough fans or an A&R representative Read More …

Subhadip Das, UGC NET Senior Research Fellow, Department of Hindustani Classical Music – [Sitar], Sangit Bhavana, Visva-Bharati, Santiniketan, E-mail: sitarsubhadip@gmail.com, Contact Number: 9088234120 Abstract This research article examines the effect of electronic media on Hindustani classical instrumental music, one of the most important musical genres in India. This article examines different facets of the usage of electronic media in this genre, such as its emergence, applications, problems, and prospects. The article then discusses the impact of electronic media on traditional techniques for teaching and marketing Hindustani classical instrumental music. It offers an in-depth investigation of the different electronic media applications in this genre, such as online music schools, YouTube channels, music streaming services, and social media platforms. The essay also examines the advantages and disadvantages of employing electronic media as well as the best practices for doing so effectively and efficiently. In addition, both the benefits and drawbacks of adopting Read More …

Mohammed Shoeb Abstract: The importance of study in Western music performance has long established this music as a written text. Its applications in the form of notation or staff notation are numerous. Also since this music is a collective effort, this notation system is essential for preserving the musical heritage of many artists together. As a result, a complete language model has been obtained through various experiments over a long period. Its importance in the musical development of every region of world music is noticeable. The essay on the notation system of Western music and its development is presented keeping that need in mind. Currently, I think this article will play an important role in the academic evaluation and education development of music care. পাশ্চাত্য স্বরলিপি পদ্ধতি ও তার ক্রমবিকাশ মোহাম্মদ শোয়েব, সহকারী অধ্যাপক, সংগীত বিভাগ, ঢাকা বিশ্ববিদ্যালয়। সার-সংক্ষেপ : পাশ্চাত্য সংগীত পরিবেশনার ক্ষেত্রে অধ্যয়নের যে গুরুত্ব রয়েছে, তার জন্য Read More …

Gitanjali Ghosh Abstract: Rabindranath Tagore, a multifaceted luminary in the realm of literature, music, and education, crafted a profound legacy that continues to shape cultural landscapes. This abstract delves into the intricate connection between Tagore’s songs and the development of children’s minds. Tagore, the Nobel laureate poet, musician, and philosopher, had a unique ability to capture the essence of human emotions and societal nuances in his compositions. This study investigates how Tagore’s songs, especially those designed for children, catalyze cognitive, emotional, and social development in young minds. Through an interdisciplinary lens, it explores the lyrical and melodic elements that contribute to the aesthetic appeal and educational value of Tagore’s compositions. The intricate blend of poetry and music in his songs creates a rich sensorial experience, fostering creativity and imagination in children. Furthermore, the study examines the philosophical underpinnings of Tagore’s educational philosophy, emphasizing the integration of art and culture in Read More …

Nabarun Kumar Datta, Research Scholar, Visva-Bharati University, Santiniketan, Supervisor-Dr. Amit Verma. Email: nabarunkumardatta@gmail.com West Bengal, especially Kolkata, has a very important place in the history of Indian classical music. All genres of Hindustani classical music were propagated with equal zeal in Kolkata. Tabla and specifically Farrukhabad Gharana has a special place in this propagation. Several known and unknown Musicians have contributed to bringing the tabla to the common masses of Kolkata and foremost among them was Pandit Shankar Ghosh. Born in 1935, in a middle-class family in the Bagbazar area of ​​Kolkata to parents, Mohit Chandra Ghosh and Ranimala Ghosh, Pandit Shankar Ghosh took his initial tabla training from Pandit Sudarshan  Adhikari of Lucknow Gharana, Pandit Anath Nath Bose of Benaras Ghrana, and Ustad Feroz Khan Sahib of Punjab Gharana. But he realized his true potential only after being trained by param–Guru, Pandit Gyan Prakash Ghosh that helped him to Read More …