Year: 2023

Pallavi Chatterjee, Research Scholar, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Nrityanatyam, a unique dance form inspired by the poetic and musical genius of Rabindranath Tagore, represents a harmonious blend of rhythm, melody, and expressive movements. This abstract explores the rich variations of rhythm and the intricate rhythmic patterns inherent in the songs choreographed for Rabindra Nrityanatyam’s performances. Read More …

Dr. Lopamudra Chakraborty Abstract: The landscape of music creation has undergone a profound transformation with the advent of technology, impacting the evolution, and availability, and posing new challenges to the realm of sound in music. This abstract explores the dynamic interplay between technology and music, focusing on how advancements have shaped the production, distribution, and consumption of sound in modern Read More …

Priyanka Bhattacharya “Parisodh” and “Shyama” are two distinct dramatic compositions that showcase the poetic intentions of their creators through the expressive mediums of song and dance. In both instances, the core theme revolves around the profound concept of transformation, emphasizing the multifaceted nature of human existence. In the context of “Parisodh,” the drama unfolds through a compelling interplay of music Read More …

Swapan Chatterjee Abstract: The use of instrumentation in film background music has undergone a fascinating evolution over the years, shaping the emotional landscape of cinematic storytelling. This abstract delves into the historical progression and contemporary methods involved in crafting film scores, shedding light on the intricate process of selecting and orchestrating instruments to enhance narrative impact. The evolution of film Read More …

Anumita Sengupta, Ph.D. Scholar, Instrumental Music Department, Rabindra Bharati University The internet continues to revolutionize just about everything we do—including within the music industry. Social media platforms are the new way for artists to develop and connect with their fanbases. Over the years, we have seen artists utilize platforms like Twitter, Instagram, TikTok Youtube, and Facebook to generate movement in Read More …

Subhadip Das, UGC NET Senior Research Fellow, Department of Hindustani Classical Music – [Sitar], Sangit Bhavana, Visva-Bharati, Santiniketan, E-mail: sitarsubhadip@gmail.com, Contact Number: 9088234120 Abstract This research article examines the effect of electronic media on Hindustani classical instrumental music, one of the most important musical genres in India. This article examines different facets of the usage of electronic media in this Read More …

Mohammed Shoeb Abstract: The importance of study in Western music performance has long established this music as a written text. Its applications in the form of notation or staff notation are numerous. Also since this music is a collective effort, this notation system is essential for preserving the musical heritage of many artists together. As a result, a complete language Read More …

Gitanjali Ghosh Abstract: Rabindranath Tagore, a multifaceted luminary in the realm of literature, music, and education, crafted a profound legacy that continues to shape cultural landscapes. This abstract delves into the intricate connection between Tagore’s songs and the development of children’s minds. Tagore, the Nobel laureate poet, musician, and philosopher, had a unique ability to capture the essence of human Read More …

Nabarun Kumar Datta, Research Scholar, Visva-Bharati University, Santiniketan, Supervisor-Dr. Amit Verma. Email: nabarunkumardatta@gmail.com West Bengal, especially Kolkata, has a very important place in the history of Indian classical music. All genres of Hindustani classical music were propagated with equal zeal in Kolkata. Tabla and specifically Farrukhabad Gharana has a special place in this propagation. Several known and unknown Musicians have Read More …