Indian Ghazal through the Melodic Tapestry of Begum Akhtar

Anindya Banerjee Abstract: This study delves into the captivating world of Indian Ghazal, a poetic and musical genre that transcends boundaries, resonating with the deepest sentiments of the human soul. Focusing on the iconic figure of Begum Akhtar, a legendary Ghazal singer whose artistry left an indelible mark on the cultural landscape of India, the … Read more

The Expedition of Grapple and Recognition of Women in Bangla Theatre

SAYANTIKA GHOSH, PhD Research Scholar, RBU, SACT, Gobardanga Hindu College “The history of men’s opposition to women’s emancipation is more interesting perhaps than the story of that emancipation itself.”                                                                                            Virginia Woolf- Introduction Women of the nation are considered to be the backbone of every society. The introduction of  actresses in Bengali Theatre during 1870 … Read more

Baiji Culture of Kolkata during Colonial Period: A review

Aritri Majumder, SACT,Department of Music, Gobardanga Hindu College, Ph.D. Research Scholar, University of Calcutta Tradition, the word which carries out many things in one boat. Culture and tradition are interdependent where tradition is a boat and culture plays the role of a sail. Kolkata, the city of joy, borrows its cultural tradition from a long time. … Read more

Bonding and Emancipation in Rabindranath Tagore’s Theatrical Narratives

Dr. Srabani Sen Abstract: Rabindranath Tagore, a multifaceted literary luminary, delved into the intricate dynamics of human relationships and societal structures in his plays. This study focuses on the thematic interplay of bonding and emancipation within Tagore’s theatrical works. Tagore, a Nobel laureate poet and playwright, weaves narratives that portray the delicate balance between attachment … Read more