Lokogandhar

Dr. Durba Singha Roy Choudhury Abstract: This research explores the profound influence of Rabindra Sangeet’s melodies and instrumental music on the evolution and development of Hindi film music. The abstract highlights Rabindranath Tagore’s unique approach to music composition, wherein he integrated tunes from diverse sources worldwide into his own distinctive […]

Aindrila Dutta Chowdhury, Ph.D. Research Scholar, Department of Music, University of Delhi Abstract The worshipping of the snake goddess Manasa has been quite popular in Bengal, mostly in the rural parts. Throughout the year, especially in the rainy season, one can find several ritualistic as well as non-ritualistic performances related […]

Dr. Pratiti Pramanik DeGobardanga Hindu CollegeMusic Dept. Abstract :Film is a young and modern industry.  This opened up a huge field of interesting possibilities for new composers.  The use of music started from the first stage of film exhibition (1885). It acts as a huge weapon in the film apart […]

Kushni Soren Abstract: Rabindra Sangeet, the musical oeuvre of the renowned poet Rabindranath Tagore, holds a unique and cherished place in the cultural heritage of Bengal and beyond. This paper explores the intricate challenges encountered in the music direction and arrangement of Rabindra Sangeet, shedding light on the complexities faced […]

Dr. Asima Jana Maity Abstract: As the digital era transforms the music industry, the issue of music accessibility emerges as a critical concern. This paper delves into the multifaceted dimensions of accessibility, exploring how various barriers, such as economic constraints, technological disparities, and disabilities, hinder individuals’ ability to engage with […]

Dr. Moushumi Pal, Assistant Professor, Purnidevi Chowdhury Girls College, Bolpur, Birbhum Abstract: The abstract highlights the extensive discussions and revisions regarding the intertwined nature of literature and music in the works of Rabindranath Tagore. The focus is on the significance of music in Tagore’s plays, stories, and poems, with an […]

Dr. Sudipendranath Chatterjee, Guest Lecturer, Department of Instrumental Music, Rabindra Bharati University Abstract: This study delves into the intricate relationship between composition and instrumentation in music, exploring the dynamic interplay of tradition and modernity. Through a comprehensive examination of historical precedents and contemporary innovations, we unravel the evolving landscape of […]

Pallavi Chatterjee, Research Scholar, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Nrityanatyam, a unique dance form inspired by the poetic and musical genius of Rabindranath Tagore, represents a harmonious blend of rhythm, melody, and expressive movements. This abstract explores the rich variations of rhythm and the intricate rhythmic […]

Dr. Lopamudra Chakraborty Abstract: The landscape of music creation has undergone a profound transformation with the advent of technology, impacting the evolution, and availability, and posing new challenges to the realm of sound in music. This abstract explores the dynamic interplay between technology and music, focusing on how advancements have […]

Priyanka Bhattacharya “Parisodh” and “Shyama” are two distinct dramatic compositions that showcase the poetic intentions of their creators through the expressive mediums of song and dance. In both instances, the core theme revolves around the profound concept of transformation, emphasizing the multifaceted nature of human existence. In the context of […]