BRINTALI ACHARYA Research Scholar, Tripura University (A central University ), Tripura Abstract Ethnomusicology is a field that combines several disciplines to study music as part of culture, society, history and human life. It looks not only at the elements of music like melody, rhythm, scale and structure but also at […]
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Dr. K. Rukmani Principal (i/c), Sri Sathguru Sangeetha Vidyalayam, Madurai, drkrukmanisssv@gmail.com, Vidwan ID: 577880 Abstract The 72-Mēḷakarta system occupies a foundational position in the theoretical and practical aspects of Karnāṭak music. Conceived as a systematic classification of parent or janaka rāga-s, the scheme provides an important framework for understanding the organization of svara-sthāna-s […]
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‘খণ্ডন ভববন্ধন, জগবন্দন বন্দি তোমায়’—গানটি যে ইমন রাগে, তা বোঝার অনেক আগেই গানটি আমার মুখস্থ হয়ে গিয়েছিল। তখন সুরের ব্যাকরণ জানতাম না, রাগের স্বরূপও নয়। তবু গানটির মধ্যে এমন একটি টান ছিল, যা কেবল সুরের মাধুর্য দিয়ে ব্যাখ্যা করা যায় না। পরে সংগীতের সঙ্গে যত পরিচয় বেড়েছে, তত বুঝেছি—একটি গানকে […]
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Subrata Pal, Assistant Professor-II Amity University, Kolkata Department of French, Kolkata, India E-mail : subratafrench@gmail.com Contact No-9163852529(what’s app) 9875580567 (call) Co Author- Dr. Rounak Mahtab Assistant Professor Gauhati University, Assam Department of Foreign Languages E-mail:- rounakmahtab@gmail.com Contact No- 9957952382 Abstract:-As a Francophone nation, Mauritius holds a significant place in […]
Read MoreDr. Srabani Sen Associate Professor, Department of Music, Tarakeswar Degree College e-mail-dr.ssen8693 @gmail.com Mobile no- 6290855102 Bamkim Chandra Chattopadhyays song Vande Mataram is widely renowned as a hymn praise of the Motherland. Vande Mataram is a sanaskrit assertion meaning obeisance to the mother or the motherland. It has feel emotionally […]
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Bhabani Shankar Dasgupta Abstract The Gharana system is the basis of stylistic continuity, oral pedagogy and aesthetic diversification in Hindustani classical music. However, in the post-Tansen period and in the 18th and 19th centuries, the gharana framework was a major emergent force that shifted Indian classical music from formal court […]
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স্বর্নেন্দু ভারতের স্বাধীনতা সংগ্রামের ইতিহাস কেবল রাজনৈতিক আন্দোলন, সামরিক অভিযান, বয়কট কিংবা বিশিষ্ট নেতাদের বক্তব্য ও দূরদর্শিতার মধ্যে সীমাবদ্ধ নয়। এটি ছিল কোটি কোটি মানুষের আবেগ, রাজনৈতিক উদ্দীপনা, আত্মত্যাগ এবং সাংস্কৃতিক চেতনার এক বিশাল ও উজ্জ্বল প্রকাশ। যেকোনো জাতীয়তাবাদী আন্দোলনে জনচেতনা জাগ্রত করতে এবং একটি সাধারণ সংকল্পে বিভিন্ন পটভূমির বিপ্লবীদের […]
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Tanmoy Majumder, Assistant Professor, Raja Narendra LalKhan women’s College (Autonomous) and Research Scholar Visva Bharti, Sangeet Bhavan Abstract Thumri is a type of emotion-driven, light classical music from Uttar Pradesh, characterised by its romantic and erotic (shringar) essence. This musical genre is deeply intertwined with the name of Nawab Wajid […]
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Dwaipayan Sarkar, Former Scholar, Department of HCM (Instrumental), Visva-Bharati, Santiniketan Abstract Music is a profound fine art that shares an intrinsic, soul-deep relationship with human existence. As humankind is an integral part of nature, human musical expression fundamentally mirrors the natural world—drawing inspiration from the gurgling of rivers, the flute-like […]
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Subrata Pal, Assistant Professor-II, Amity University, Kolkata, Department of French, Kolkata, India E-mail : subratafrench@gmail.com , Contact Nos: No-9163852529 (WhatsApp), 9875580567 (call) Abstract: Colonisation is a historical phenomenon that took place during the second half of the 19th century. Specifically, regarding French colonisation in Africa, we observe that it occurred […]
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