November 1, 2024

Role of Music Journalism in Indian Music

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Subhraparna Biswas,Ph.D Research Scholar, Performing Arts (Music), Sister Nivedita University, DG1/2, New Town, Action Area-1, New Town, Kolkata: 700156, West Bengal, India. Abstract: Music journalism has long been a vital component of the global music ecosystem, documenting the development of musical trends, artists, and industries. In India, where music is […]

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November 1, 2024

Tala and Rhythm in Rabindranath’s songs

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Rima Dey, Research Scholar, Department of Performing Arts, Sister Nivedita University Abstract:Tala (rhythmic cycles) and rhythm hold a foundational role in the compositions of Rabindranath Tagore’s songs, which blend classical Indian music traditions with a distinctive poetic sensibility. Tagore’s approach to rhythm transcends mere metric patterns, embodying the nuanced moods, […]

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November 1, 2024

Rabindranath Tagore and Lalon Shah

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Dr. Srabani Sen Associate Professor, Department of Music, Tarakeswar Degree College, Email: srabanisn1@kami Mobile no- 6290855102 AbstractLalon Shah is celebrated as one of the most influential figures in the Baul tradition, lastingly impacting Bengali music and spirituality. His songs, deeply embedded in the oral tradition, resonated profoundly with the common […]

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November 1, 2024

Contributions of Lyricists Beyond Rabindranath During the Bengal Partition Movement

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Dr. Nandita Basu Sarbadhikari Assistant Professor, Department of Rabindra Sangeet, Dance and Drama, Sangeet Bhavan, Visva Bharati, Santiniketan Abstract:The Bengal Separation Movement (1905) marked a critical juncture in India’s socio-political history, not only mobilizing people but also igniting a cultural renaissance that would influence the collective consciousness of Bengal. Beyond […]

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November 1, 2024

Evolution of Media Music in India: The Transition from Print to Digital Media

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Ayan Bandyopadhyay Abstract The evolution of media music in India reflects the profound changes in technology, society, and cultural consumption over the last century. This transition began with print media, where sheet music and songbooks were crucial in disseminating music to a broader audience. These print forms were complemented by […]

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September 1, 2024

The domestic world in Mariama Bâ and Ashapurna Devi

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Anwesha Biswas, Visiting Faculty,  Department of French,  Syamaprasad College, Kolkata Abstract This discourse, based on the comparative study of two novels, ‘Une Si Longue Lettre’ and ‘Pratham Pratishruti,‘ from different eras and continents, aims to pay tribute to two pioneers of modern feminism, Mariama Bâ and Ashapurna Devi, and will […]

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September 1, 2024

The Evolution of Tabla Playing: From Classical Traditions to Contemporary Adaptations in Indian Music

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Dr. Soumen Chakraborty, Department of Music, Ramsaday College, Amta, Howrah, WB, India Abstract: In this paper, an attempt has been made to highlight all traditional music particularly emphasizing ‘Tabla’. Afterwards, the transformation of Indian Traditional Music towards modern music in different forms concerning the demand and suitability of the societies […]

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September 1, 2024

The Nomenclature of Protagonists in Detective Novels Is Not Free-A Specific Study of the Case of Byomkesh and Lupin

LOKOGANDHAR ISSN : 2582-2705
Indigenous Art & Culture

Ms. Suparna Nandy, Adamas University, Kolkata, Abstract The detective novel, or polar, is a literary genre in which the story is generally centred on a drama, intrigue, as well as on the progress of an investigation conducted by a private detective or a police officer. The research is methodical: it […]

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