Category: Indigenous Art & Culture

Swapan Chatterjee Abstract: The use of instrumentation in film background music has undergone a fascinating evolution over the years, shaping the emotional landscape of cinematic storytelling. This abstract delves into the historical progression and contemporary methods involved in crafting film scores, shedding light on the intricate process of selecting and orchestrating instruments to enhance narrative impact. The evolution of film music instrumentation can be traced from the early days of silent cinema, where live pianists and orchestras accompanied the visual narratives. Advancements in technology, including the advent of sound in film, paved the way for innovative approaches to instrumentation. The incorporation of electronic elements in the mid-20th century expanded the sonic palette, offering composers unprecedented creative possibilities. Today, film composers employ a diverse range of instruments, both traditional and electronic, to achieve a desired emotional resonance with the audience. This abstract explores the collaborative nature of film scoring, emphasizing the Read More …

Priyanka Bhattacharya “Parisodh” and “Shyama” are two distinct dramatic compositions that showcase the poetic intentions of their creators through the expressive mediums of song and dance. In both instances, the core theme revolves around the profound concept of transformation, emphasizing the multifaceted nature of human existence. In the context of “Parisodh,” the drama unfolds through a compelling interplay of music and narrative, with a central focus on the poet’s intentions. The use of songs within the drama serves as a powerful tool to convey the emotional depth and complexity of the characters’ journey towards transformation. Through the medium of song, the characters in “Parisodh” engage in a duel, not just physically but also ideologically, as they grapple with inner conflicts and external challenges. The abstract nature of the drama allows the audience to delve into the nuances of the characters’ struggles, reflecting the poet’s intention to explore the transformative power Read More …

Subhadip Das, UGC NET Senior Research Fellow, Department of Hindustani Classical Music – [Sitar], Sangit Bhavana, Visva-Bharati, Santiniketan, E-mail: sitarsubhadip@gmail.com, Contact Number: 9088234120 Abstract This research article examines the effect of electronic media on Hindustani classical instrumental music, one of the most important musical genres in India. This article examines different facets of the usage of electronic media in this genre, such as its emergence, applications, problems, and prospects. The article then discusses the impact of electronic media on traditional techniques for teaching and marketing Hindustani classical instrumental music. It offers an in-depth investigation of the different electronic media applications in this genre, such as online music schools, YouTube channels, music streaming services, and social media platforms. The essay also examines the advantages and disadvantages of employing electronic media as well as the best practices for doing so effectively and efficiently. In addition, both the benefits and drawbacks of adopting Read More …

Mohammed Shoeb Abstract: The importance of study in Western music performance has long established this music as a written text. Its applications in the form of notation or staff notation are numerous. Also since this music is a collective effort, this notation system is essential for preserving the musical heritage of many artists together. As a result, a complete language model has been obtained through various experiments over a long period. Its importance in the musical development of every region of world music is noticeable. The essay on the notation system of Western music and its development is presented keeping that need in mind. Currently, I think this article will play an important role in the academic evaluation and education development of music care. পাশ্চাত্য স্বরলিপি পদ্ধতি ও তার ক্রমবিকাশ মোহাম্মদ শোয়েব, সহকারী অধ্যাপক, সংগীত বিভাগ, ঢাকা বিশ্ববিদ্যালয়। সার-সংক্ষেপ : পাশ্চাত্য সংগীত পরিবেশনার ক্ষেত্রে অধ্যয়নের যে গুরুত্ব রয়েছে, তার জন্য Read More …

Gitanjali Ghosh Abstract: Rabindranath Tagore, a multifaceted luminary in the realm of literature, music, and education, crafted a profound legacy that continues to shape cultural landscapes. This abstract delves into the intricate connection between Tagore’s songs and the development of children’s minds. Tagore, the Nobel laureate poet, musician, and philosopher, had a unique ability to capture the essence of human emotions and societal nuances in his compositions. This study investigates how Tagore’s songs, especially those designed for children, catalyze cognitive, emotional, and social development in young minds. Through an interdisciplinary lens, it explores the lyrical and melodic elements that contribute to the aesthetic appeal and educational value of Tagore’s compositions. The intricate blend of poetry and music in his songs creates a rich sensorial experience, fostering creativity and imagination in children. Furthermore, the study examines the philosophical underpinnings of Tagore’s educational philosophy, emphasizing the integration of art and culture in Read More …

Nabarun Kumar Datta, Research Scholar, Visva-Bharati University, Santiniketan, Supervisor-Dr. Amit Verma. Email: nabarunkumardatta@gmail.com West Bengal, especially Kolkata, has a very important place in the history of Indian classical music. All genres of Hindustani classical music were propagated with equal zeal in Kolkata. Tabla and specifically Farrukhabad Gharana has a special place in this propagation. Several known and unknown Musicians have contributed to bringing the tabla to the common masses of Kolkata and foremost among them was Pandit Shankar Ghosh. Born in 1935, in a middle-class family in the Bagbazar area of ​​Kolkata to parents, Mohit Chandra Ghosh and Ranimala Ghosh, Pandit Shankar Ghosh took his initial tabla training from Pandit Sudarshan  Adhikari of Lucknow Gharana, Pandit Anath Nath Bose of Benaras Ghrana, and Ustad Feroz Khan Sahib of Punjab Gharana. But he realized his true potential only after being trained by param–Guru, Pandit Gyan Prakash Ghosh that helped him to Read More …

Dr. Srabani Sen Abstract:Folk drama, an integral part of cultural heritage, serves as a reflection of a community’s traditions, beliefs, and social dynamics. As societies undergo rapid modernization and globalization, there is an urgent need to recognize the significance of preserving folk drama forms. This abstract explores the importance and necessity of safeguarding folk drama, emphasizing its role in fostering cultural identity, sustaining community bonds, and providing a platform for artistic expression. The preservation of folk drama is crucial for maintaining cultural diversity and preventing the loss of unique artistic traditions. These traditional performances often encapsulate historical narratives, moral lessons, and rituals that have been passed down through generations. Through the enactment of folk dramas, communities connect with their roots and transmit shared values, ensuring the continuity of cultural practices. Additionally, folk drama serves as a powerful medium for community engagement, bringing people together through shared storytelling and performance. These Read More …

DR. ASHIS CHAKRABORTY Tabla, amongst all North Indian percussion instruments, is most popular for its uniqueness and versatility. The instrument has had left its impression on the other countries and their culture, apart from India. Malaysia is one of them. The title of the topic is about, exploring the introduction of tabla in Malaysia along with the evolution from its inception till date. The title is also about its involvement in the Malaysian music and culture. Malaysia (Pic 1) Malaysian culture is a collective establishment of various major ethnic groups. The statistics of Malaysian Department of Statistics (1993) shows that the total population of Malaysia is segregated into five groups- Malays (54%), Chinese (29%), Indians (8%), Indigenous (8%) among which the Iban of Sarawak and Kadazan of Subah, Orang Asli are there, and  others (0.5%,Arabs, Singhalese, Eurasians and Europeans)1. The collective growth of Malaysian culture is needed to be understood Read More …

Nazmul Haque and Dr. Maumita Vairagi Abstract: Vijay Krishna Adhikari, popularly known as ‘Pagal Vijay,’ was born in Dumdi village of Narail, Bangladesh (then Bengal). Despite facing the early loss of his parents, Vijay Sarkar’s journey unfolded through various schools, where he encountered teachers who imparted knowledge of dance, singing, acting, and, most significantly, music. His education extended up to class 10, and he briefly worked as a teacher and Naib. Vijay Sarkar’s immersion into the world of music began in 1925 when he learned poetry from Kabial Manohar Sarkar of Gopalganj. His musical prowess expanded under the guidance of Rajendranath Sarkar, and in 1929, he formed his singing group, gaining popularity as a Kabila. His lyrics and tunes, deeply rooted in Bhatiali traditions, earned him immense acclaim. Notably, his Dhua songs became a hallmark of his style. Throughout his career, Vijay Sarkar composed around 400 Sakhi Sangams and Dhua Read More …