Category: Indigenous Art & Culture

Dr. Durba Singha Roy Choudhury Abstract: This research explores the profound influence of Rabindra Sangeet’s melodies and instrumental music on the evolution and development of Hindi film music. The abstract highlights Rabindranath Tagore’s unique approach to music composition, wherein he integrated tunes from diverse sources worldwide into his own distinctive creations. The musical environment at Thakurbari encompassed both Indian and Western songs, with Tagore’s exposure to more Western music following his 1878 trip abroad. This influence is evident in his initial ballads, ‘Valmiki Pratibha’ and ‘Kaalmrigaya,’ fashioned in an operatic style, blending foreign tunes, Bengali melodies, and classical raga-ragini. The impact of various provincial and Western tunes extends beyond ballads to many of Tagore’s songs. Notably, post-Rabindra era music directors such as Salil Chowdhury, Sachin Dev Burman, and Pankaj Kumar Mallick incorporated Tagore’s melodies into their compositions. This trend continued with later directors like Bapi Lahiri, Rajesh Roshan, and Shantanu Read More …

Dr. Pratiti Pramanik DeGobardanga Hindu CollegeMusic Dept. Abstract :Film is a young and modern industry.  This opened up a huge field of interesting possibilities for new composers.  The use of music started from the first stage of film exhibition (1885). It acts as a huge weapon in the film apart from connecting the music as well.  Through music we try to express the image’s message in a parallel way on another huge level. Our main focus in the film is vocal music.  And Rabindra Sangeet is the best example in this regard. The relevance of Rabindranath’s songs is therefore eternal.  But the change that can be noticed today is the attempt to make Rabindra Sangeet more contemporary with the passage of time.  As a result, its acceptance has increased and it has become easier to reach people, especially the younger generation. Rabindrasangeet will continue to fill Bengali films in many Read More …

Aindrila Dutta Chowdhury, Ph.D. Research Scholar, Department of Music, University of Delhi Abstract The worshipping of the snake goddess Manasa has been quite popular in Bengal, mostly in the rural parts. Throughout the year, especially in the rainy season, one can find several ritualistic as well as non-ritualistic performances related to the folk deity are going on. Focusing on non-ritualistic performances, music plays a significant role in almost all forms of the Manasa-oriented performance tradition. Based on the previous works and critical observations, this paper primarily deals with the systematic and scientific study of the musical analysis of Bhashan Jatra and Bishahara, the two main folk drama performance traditions of Manasa where the performers portray the stories of the chosen deity by amalgamating the three various mediums of art- acting, storytelling and music. In addition, the introductory part explores the historical evolution of the practice of worshipping Manasa in Bengal, Read More …

Kushni Soren Abstract: Rabindra Sangeet, the musical oeuvre of the renowned poet Rabindranath Tagore, holds a unique and cherished place in the cultural heritage of Bengal and beyond. This paper explores the intricate challenges encountered in the music direction and arrangement of Rabindra Sangeet, shedding light on the complexities faced by contemporary musicians in interpreting and presenting this rich musical tradition. The study begins by delving into the historical and cultural context of Rabindra Sangeet, emphasizing its origins and evolution. It examines how the fusion of diverse musical elements, including classical, folk, and international influences, poses a multifaceted challenge for music directors and arrangers. The delicate balance between preserving the authenticity of Tagore’s compositions and infusing innovative elements to engage modern audiences is a central concern. Furthermore, the paper addresses the linguistic nuances embedded in Rabindra Sangeet’s lyrics, which demand a deep understanding of Bengali poetry and a nuanced approach Read More …

Dr. Asima Jana Maity Abstract: As the digital era transforms the music industry, the issue of music accessibility emerges as a critical concern. This paper delves into the multifaceted dimensions of accessibility, exploring how various barriers, such as economic constraints, technological disparities, and disabilities, hinder individuals’ ability to engage with and enjoy music. We examine the impact of streaming platforms, adaptive technologies, and inclusive design on widening or narrowing the musical landscape for diverse populations. By addressing the challenges and opportunities inherent in music accessibility, this research aims to contribute to a more harmonious and inclusive musical ecosystem for all. সঙ্গীতের সহজলভ্যতার সমস্যা ড. অসীমা জানা মাইতি সহকারি অধ্যাপিকা, (SACT-II), বিদ্যাসাগর শিক্ষক শিখণ মহাবিদ্যালয়, মেদিনীপুর, পশ্চিম মেদিনীপুর, পশ্চিমবঙ্গ, Mobile no. 7063057716, email id : ajanamaiti@gmail.com সারসংক্ষেপ : মনুষ্যজাতির জন্ম থেকে মৃত্যুকাল পর্যন্ত জীবনের প্রতিটি আবেগ, অনুভূতির সাথে সঙ্গীত জড়িয়ে রয়েছে। আমরা আমাদের সুখ, দুঃখ, আনন্দ, বেদনা, উচ্ছাস সব কিছুকেই অনুভব Read More …

Dr. Moushumi Pal, Assistant Professor, Purnidevi Chowdhury Girls College, Bolpur, Birbhum Abstract: The abstract highlights the extensive discussions and revisions regarding the intertwined nature of literature and music in the works of Rabindranath Tagore. The focus is on the significance of music in Tagore’s plays, stories, and poems, with an emphasis on the close relationship between literature and music, particularly in the context of theatre. The abstract suggests that understanding the songs in Tagore’s dramas reveals more than just a collection of musical pieces; it unveils songs depicting seasons, work, and thematic elements. Additionally, the abstract acknowledges the undeniable role of music in some of Tagore’s stories, indicating that certain songs may offer clues or hints about the underlying narrative. This study delves into the profound intersection of music and modernity in the literary works of Rabindranath Tagore, the revered polymath of Bengal. Tagore, a Nobel laureate poet, playwright, and Read More …

Dr. Sudipendranath Chatterjee, Guest Lecturer, Department of Instrumental Music, Rabindra Bharati University Abstract: This study delves into the intricate relationship between composition and instrumentation in music, exploring the dynamic interplay of tradition and modernity. Through a comprehensive examination of historical precedents and contemporary innovations, we unravel the evolving landscape of musical creation and the diverse roles played by instruments in shaping sonic expressions. The investigation traces the roots of traditional compositional techniques while scrutinizing the transformative impact of modern technologies and unconventional instrumentation. By analyzing key works and trends, we seek to understand how composers navigate the delicate balance between honouring classical conventions and embracing avant-garde possibilities. Ultimately, this research illuminates the evolving dialogue between composition and instrumentation, shedding light on the continuum that links the rich tapestry of musical heritage to the cutting-edge frontiers of contemporary sonic exploration. সংগীতে সৃজন পদ্ধতি ও যন্ত্রানুসঙ্গ প্রয়োগ : ঐতিহ্য ও আধুনিকতা ড. সুদীপেন্দ্রনাথ Read More …

Pallabi Chatterjee, Research Scholar, Department of Rabindra Sangeet, Rabindra Bharati University Abstract: Rabindra Nrityanatyam, a unique dance form inspired by the poetic and musical genius of Rabindranath Tagore, represents a harmonious blend of rhythm, melody, and expressive movements. This abstract explores the rich variations of rhythm and the intricate rhythmic patterns inherent in the songs choreographed for Rabindra Nrityanatyam’s performances. The study delves into the historical and cultural context of Rabindra Nrityanatyam, tracing its roots to Tagore’s vision of a holistic performing arts tradition. A detailed analysis of rhythmic elements within the dance form reveals the nuanced interplay between beats, tala (rhythmic cycles), and laya (tempo). The repertoire of Rabindra Nrityanatyam incorporates a diverse range of musical compositions, each contributing to the mosaic of rhythmic diversity. The abstract dissects specific compositions, emphasizing the incorporation of intricate rhythmic patterns that challenge the dancer’s skill and creativity. The discussion includes the role Read More …

Dr. Lopamudra Chakraborty Abstract: The landscape of music creation has undergone a profound transformation with the advent of technology, impacting the evolution, and availability, and posing new challenges to the realm of sound in music. This abstract explores the dynamic interplay between technology and music, focusing on how advancements have shaped the production, distribution, and consumption of sound in modern music. Evolution: The evolution of sound in technologically generated music traces its roots from the early synthesizers and electronic instruments of the mid-20th century to the sophisticated digital audio workstations (DAWs) and artificial intelligence (AI) algorithms of today. As technology has progressed, musicians and producers have gained unprecedented control over sound manipulation, enabling the creation of intricate compositions that were once unimaginable. This evolution has democratized music production, allowing artists with varying levels of expertise to experiment with novel sounds and genres. Availability: The widespread accessibility of technology has democratized Read More …

Anumita Sengupta, Ph.D. Scholar, Instrumental Music Department, Rabindra Bharati University The internet continues to revolutionize just about everything we do—including within the music industry. Social media platforms are the new way for artists to develop and connect with their fanbases. Over the years, we have seen artists utilize platforms like Twitter, Instagram, TikTok Youtube, and Facebook to generate movement in their careers. Social media continues to give musicians the opportunities they previously could only have through record companies. The Industry Has Changed Musicians need to understand that the music industry has changed. In the past, musicians would need to do things like record demos and distribute them to fans. They needed to bargain for the time in the studio. If there were live shows at local venues—acts would need to find any opportunity to play. All of these efforts were in the hopes that enough fans or an A&R representative Read More …