Bertolt Brecht in Modern Bengali Theatre

Sayanti Ghatak, Ph. D. Scholar, Rabindra Bharati University Abstract: This study delves into the introduction of the proscenium stage in Bengali theater, attributing its debut to Gerasim Stepenevich Lebedev on November 27, 1795. Lebedev, a foreign literature enthusiast, not only marked this historical moment by presenting the first proscenium play in Bengal but also translated a foreign play, “The Destroy,” into Bengali as “Kalpanik Sambandal.” Consequently, foreign translated dramas, particularly those of Bertolt Brecht, significantly influenced Bengali theater. Brecht’s epic theater, known for its socio-political commentary, found resonance in Bengal. Despite being born in 1898, Brecht’s impact on global theater, shaped by two world wars, fascinated Bengali playwrights and directors. Notably, Ajitesh Bandyopadhyay, a key figure in Bengali theater, highlighted Brecht’s innovative staging techniques, drawing parallels between Brecht’s Caucasian Chalk Circle and traditional Sanskrit drama. The study examines how Brecht’s plays, with their distinctive blend of music, ballads, and stylized performances, were integrated into Bengali Read More …

Rabindra Sangeet Performance: A Synthesis of Artistry, Evolution, and Instruction

Dr. Mousumi Pal Abstract: This article delves into the intricate dynamics of Rabindra Sangeet’s performances, unravelling the nuanced relationship between the singer, the song, and the evolving tastes of the audience. The study contends that the singer often eclipses the song itself, as exemplified by the resounding applause that accompanies the announcement of a renowned artist versus the subdued reception for lesser-known performers. The focus shifts from the song’s grammar to the singer’s prowess, encompassing aspects such as voice, melody, rhythm, pronunciation, expression, and music selection. The text examines Rabindranath Tagore’s vision of transcending individual artistry to reach the court of Sruti, where the performance becomes a celebration of the Creator’s creation while preserving the artist’s unique identity. This concept is explored through Tagore’s praise for specific singers during his lifetime and the recordings of his voice, as well as those of Dinendranath Tagore and contemporaneous artists. The inevitable evolution of Rabindra Sangeet’s performance is Read More …

IOT – SMART CITY

SANDIP ROY State Aided College Teacher [SACT], GOBARDANGA HINDU COLLEGE,  EMAIL: – sandiproy2704@gmail.com, CONTACT NUMBER: – 8272953932 Abstract All devices on the network can be connected to each other through the Internet of Things. The Internet of Things is slowly evolving into the next stage of the Internet world. At the same time, the need for people to use the Internet of Things is increasing day by day. This enables IT devises to work automatically without any human intervention by sending information, which we know as robotic devices. Automating objects makes them smarter. From smart cities to health centers, agricultural systems, logistics and small businesses, education, government, even smart daily life and smart environments are going to be made possible by IoT. Although technologies have evolved in recent years, there is a need for more observation and human awareness as improvements are made. Since IoT has evolved through a lot of technology and research, it Read More …

Homeland and the World: Exploring the Poetic Realm of Kazi Nazrul Islam

Dr. Srabani Sen Abstract: Kazi Nazrul Islam, a prominent Bengali poet, musician, and revolutionary thinker of the early 20th century, occupies a unique space in the world of literature with his profound and multifaceted reflections on homeland and the global context. This abstract delves into Nazrul’s poetic expressions, shedding light on how he navigates the intricate interplay between the local and the global in his works. Nazrul’s conceptualization of homeland transcends geographical boundaries, extending beyond the physical terrain to encompass cultural, spiritual, and emotional dimensions. His verses echo the pulsating rhythms of his native Bengal, celebrating the richness of its cultural tapestry while simultaneously advocating for a broader, inclusive understanding of homeland that embraces universal values. At the same time, Nazrul’s poetry reflects a keen awareness of the global milieu. Influenced by the socio-political upheavals of his time, including the anti-colonial struggles and the emergence of new ideologies, Nazrul engages with the broader world in Read More …

The Ichamati River: A Lifeline of Heritage and Reflection in Vibhutibhushan Bandopadhyay’s ‘Ichamati’

Abstract: The river, a fundamental entity in the tapestry of human civilization, has been essential for the development of societies and the survival of living beings. Often referred to as the “life flow,” rivers play a pivotal role in shaping landscapes and cultures. This paper explores the significance of rivers, focusing on the Ichamati River, through the lens of the literary masterpiece ‘Ichamati’ by Bibhutibhushan Bandopadhyay. The Ichamati River, a natural freshwater body, holds historical importance, and its waters are synonymous with life. The river’s classification, including main rivers, tributaries, and branch rivers, provides insight into its intricate structure. Small rivers, named based on geographical locations, often carry the names of girls. River expert M. Moriswa defines a river as a stream flowing through a chasm, emphasizing its role as a flowing canal. The paper delves into the historical context of the Ichamati River, with a particular focus on Bandopadhyay’s novel ‘Ichamati.’ This literary work, Read More …

Rabindranath Tagore’s Plays and Drama Songs Advocating Peace Amidst Religious Strife

Debasish Mandal Abstract: This study explores Rabindranath Tagore’s significant contribution to promoting harmony and condemning violence in the name of religion through his plays and drama songs. Tagore, a prolific Indian poet, playwright, and philosopher, utilized his literary prowess to address the pressing issue of religious conflict. This research delves into selected works, analyzing the thematic elements and narrative techniques employed by Tagore to convey messages of unity, tolerance, and the futility of killing in the guise of religious fervor. By examining the cultural and historical context of Tagore’s time, this study sheds light on the visionary artist’s timeless appeal for communal amity, emphasizing the relevance of his creative expressions in fostering a world free from the shackles of religious intolerance and violence. ধর্মের নামে হত্যার বিরুদ্ধে রবীন্দ্রনাথের নাটক ও নাটকের গান, দেবাশিস মণ্ডল রবীন্দ্রনাথের বাল্মীকিপ্রতিভা, বিসর্জন নাটকে ধর্মীয় ভাবাবেগের দৈন্যতা ও সংকীর্ণতা থেকে সত্য ও মানবতার উত্তোরণ ঘটিয়েছেন রবীন্দ্রনাথ। তিনি এই দুটি নাটকের কাহিনীর Read More …

Rabindranath’s Dilemma and Conflict: Navigating the Inner Turmoil of a Literary Giant

Dr. Mali Mitra. Asst. Prof. In Music.  Memari College. Memari. Burdwan. Abstract: Ravi Tagore’s songs, stories, poems, and novels, are involved in the life of every Bengali. This world poet inspires us in many ways. We all know that he was first a poet, then a composer, we see in each of his works, that he introduces us to something new, and thus he uses a word in different ways in the composition. One such word is “heart”. For example, “Tumi Rabe Nirave Hridide Maam” and “Hridyo Amar Oi Bhimi Tor Kalbaisakhi Bhyra” are compositions of completely different tastes. The two hearts of the two songs create different feelings. A small attempt has been made in this discussion to find out how this heart was involved in his feelings.  Word Index –  Hriday, Rabindranath, Poets, Musicians, etc. হৃদয়ের টানাপোড়ানে রবীন্দ্রনাথ ডঃ মলি মিত্র, সংগীত বিভাগ, মেমারী কলেজ,  মেমারী, পূর্ব বর্ধমান রবীন্দ্রনাথ ঠাকুর প্রায় প্রত্যেক বাঙালির Read More …

Indian Ghazal through the Melodic Tapestry of Begum Akhtar

Anindya Banerjee Abstract: This study delves into the captivating world of Indian Ghazal, a poetic and musical genre that transcends boundaries, resonating with the deepest sentiments of the human soul. Focusing on the iconic figure of Begum Akhtar, a legendary Ghazal singer whose artistry left an indelible mark on the cultural landscape of India, the research examines the historical roots, evolution, and unique characteristics of the Ghazal tradition. Begum Akhtar, often referred to as the “Queen of Ghazal,” emerges as a central figure in this exploration, her sublime renditions serving as a lens through which we gain insights into the rich tapestry of emotions woven into the fabric of Ghazal. The paper navigates through the cultural and linguistic diversity of Ghazal poetry, highlighting its themes of love, pain, and mysticism, and how these themes find expression in the haunting melodies and poignant renditions of Begum Akhtar. Additionally, the study sheds light on the socio-cultural impact Read More …

The Expedition of Grapple and Recognition of Women in Bangla Theatre

SAYANTIKA GHOSH, PhD Research Scholar, RBU, SACT, Gobardanga Hindu College “The history of men’s opposition to women’s emancipation is more interesting perhaps than the story of that emancipation itself.”                                                                                            Virginia Woolf- Introduction Women of the nation are considered to be the backbone of every society. The introduction of  actresses in Bengali Theatre during 1870 gave a new area to the society. Inspired by the English theatre, the Bengali theatre groups practiced their performances in the houses of the elite people, who are known as “bhadralokhs” of Bengal. The actresses who joined theatre then, were the children from the prostitute area. The talented children from the prostitute areas in order to supplement their income.  Bipin Chandra Pal, in his autobiography mentioned that in the Brahmo Samaj the use of girls from the prostitute families were denied. It was also noted that the presence of the Brahmo women in the audience were also rejected because it Read More …

Baiji Culture of Kolkata during Colonial Period: A review

Aritri Majumder, SACT,Department of Music, Gobardanga Hindu College, Ph.D. Research Scholar, University of Calcutta Tradition, the word which carries out many things in one boat. Culture and tradition are interdependent where tradition is a boat and culture plays the role of a sail. Kolkata, the city of joy, borrows its cultural tradition from a long time. On the other side Kolkata always greets and accepts new, so Kolkata is a place where tradition and trend stay side by side. Kolkata is a place of musical heritage as well as it was once the heart of Indian classical music. During British Colonial rule the scenario of India where a tide of transition took place in Indian culture. An obvious effect took place in Kolkata, the city of musical heritage, where classical music was already existed and continued a strong musical tradition of pure classical music from a long time. In 1856, when Nawab Wajed Ali Shah came Read More …