Tagore’s Dance-Drama Production: Chandalika — The Aspiration for Liberation from the Crisis of Class, Culture, and Human Existence- Koyel Mukherjee
Abstract:Art functions not only as a source of aesthetic pleasure but also as a powerful medium of social awakening and ethical reflection. Rabindranath Tagore’s Chandalika, originally written as a prose drama in 1933 and later transformed into a dance-drama in 1938, emerges as a profound artistic response to the crises […]
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